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SooOoOo Organic |
by Molly McDowell
I
sat down to start writing. Just as I had been by the college application
prompts or the SAT essay, I was tempted to start off with a famous line that
IÕd once heard, seen, or searched in desperation to find on Ògreatquotes.comÓ.
My face cringed at the horribly cheesy and pretentious ring that each once gave
off. Those essay questions themselves (for example: ÒDescribe the world you come from and tell us how it
has shaped your dreams and aspirationsÓ) were begging you to pour your heart
out with every clichŽ in the English Language. They wanted you to be personal,
while being completely impersonal. Telling them every detail about your life
without really being unique, because in the end your essay would just sound like
those of thousands of other students.
I
had a possibility to use language to relate to my reader on some profound
level, to use words- the one thing that binds human relations and
understanding, and I had nothing. I wanted it to be truly great, but I know
nothing of how to create great prose or develop an awe-inspiring poetic phrase.
So, I tried to write a few paragraphs. Erased them. Wrote some more. Times
running out, I needed to study for government. I was getting nowhere.
Its
2:30, sitting in religion class, revisiting thoughts from the night before. I
want to write a story that is both witty and breathtaking. I want it to be as
good as Salinger or Fitzgerald. A story that makes the hairs on your arm stick
up. I search through old memories in the back of my brain, a few stand out.
There was breaking my arm at age two and getting an electric pink cast that I
would accidentally whack my sister with every time I rolled over in bed. There
was my first exposure to death, when I had to bury my goldfish named
Òpinky,Ó named both for his color and size in relation to my smallest finger.
There was riding a bus for the first time, overwhelmed by the excitement of not
having to wear a seat belt. There were entangled memories of nightly cuddles
with mom or dad. That familiar feeling of comfort and safety- maybe I could
write about that. IÕd remind the reader of the importance of having people
close in life? Eh, no, that had only surface meaning. I wanted to really say something. So I dove deeper. I could
write about Anna leaving for college, learning how to be on my own, going on
the big quest for Òsoul searchin,Ó No. Still too
clichŽ.
There
are thousands and thousands of things to write about. The intricacies go beyond
overwhelming. How to choose one?
Well...
here is something that comes to mind.
My
hands are covered in sooty charcoal, and my face has smudges on it too. Our
teacher tells us to step back from the easels so we can look around the room to
see what everyone else has done. I just spent the last hour grinding my little
chunk of charcoal on my 18 X 24 pad of paper, with building frustration and a
melodramatic attitude. I was angry that I was spending my own money on this
shitty art class, and that I wasnÕt learning anything. Whatever I had just created
in front of me was looking horribly messy, cryptic and awful in everyway. My
lack of ability to create something pleasing to the eye frustrated me even
more.
ÒWow,
this is, so, organic,Ó a soft breathy voice says.
I
look over to the woman next to me. IÕm guessing around twenty-five years old, sheÕs very defined in her natural, independent,
raw-diet, ÒBerkeley WomanÓ look.
ÒOh...
Thanks,Ó I quietly reply. IÕm almost offended. A little guilty for judging her
comment, but still, annoyed.
An
hour later IÕm in the car with my mom, driving home. ItÕs dark and rainy out,
IÕm still feeling glum and I remember what the lady said about my drawing.
ÒThis
woman in my art class said my drawing was really organic tonight. I hate the
word organic. I know she didnÕt say it to sound rude, I meanÉ it was a
compliment. But what did she even mean by organic? My abstract sketch contains
a lot of carbon? ...But, no, reallyÉ ThereÕs something so pretentious in that
word. Like she wanted to show me she knew the word, that it was a part of her
vocabularyÓ.
My
mom laughed. She understood my annoyance, even if I was acting overly affected
by something that this woman meant no harm in saying. I wanted to explain that
I hated that she said it out of her determination to portray some image of
herself, not to explain to me what she thought about my drawing. And beyond
that, it was a crap drawing, so I knew she couldnÕt have meant it.
I struggle with writing because I fear
sounding egotistical. I fear sounding like the woman who wanted to prove
herself with just that one silly word. If she could do that with only seven
letters, how much could I bother someone with six entire pages of rambling
about my life realizations, about the big shit, the stuff that puts you almost
to edge of insanity the moment you begin analyzing it too much? But still, I
sit here and want to write something great.
Beyond
writing the problem is still there.
My
memory goes as follow-
Two
years ago I decided to choreograph a piece that would be in a large-scale
production (well, large compared to the dances I used to make up with my sister
in my living room) at my High School. After proposing my idea to the class and
getting people to sign up for it, I came home and started choreographing for my
first rehearsal. I remember standing in front of the long mirror in the room
upstairs, clicking ÒplayÓ to start the song, and then trying to find movement
that looked right. I kept thinking to the show, imagining what could look
perfect for the stage, what turn or lift of an arm could transfix my audience
during the 3 minutes that I had their attention. With continued failed attempts
to make this perfect dance, I stood there without anything. My physical
exhaustion drained my mental state and nothing looked how I wanted. An hour
passed, and I didnÕt notice till I stopped to sit down at my computer that my
breathing was short and my forehead was sweating. I began frantically looking
up Merce Cunningham videos in desperation to find some genius that could
possibly give me the impulse to make something great. I wanted it to be
incredible, even if it wasnÕt my own. I wanted to prove to the audience I had
some unique ability in choreographing- be the modern age Martha Graham for a
brief moment in one silly high school dance show.
So,
there is still error. I find myself judging this woman for one word, being
unusually cynical for spying a moment of ego that I canÕt actually counter
balance. I was driven to choreograph and to write for the purpose of presenting
myself in an appealing way to other people. Putting ego before simple
satisfaction just for yourself, itÕs done every day by almost every person.
Reasons for this competition? Maybe survival of the fittest, ensuring the
continuation of your own blood line through a ÒuniqueÓ lingo or silly petty
piece of choreography that will never be remembered. RightÉ we are ridiculous.
So,
in the end, I find that all of it was for nothing. It got me nowhere being
attached to these needs; I felt no self-approval in the end. Maybe I could
explain it through Zen thinking- IÕm officially Òdetached from all material,
personal desiresÓÉ Well, no. ThatÕs really a lie. Maybe less of what I want is
driven for the (again, Zen) Òexterior motivesÓ, but I and you and everyone else
are and will always subconsciously get caught up in this cycle of caring. I can
promise that even the monks praying on hillsides, the Òpure, enlightenedÓ ones
find some appeal in the lifestyle of clean linens, shaved heads and rice bowls
for each meal of the day. ItÕs what makes life interesting- our interest in others, and our interest in being interesting.
Before
I end this, I have to make a few points to the reader. I come across as more
critical or serious than I find myself in the average hours of every day. Maybe
this has evolved into a misrepresentation of myself. I used to see writing as a
way of making thoughts concrete, but now IÕm thinking it might alter them-
buffing them up and making them pretty now that theyÕre being looked at. I hope
I didnÕt fall into this trap too far, or that you at least understood my
thoughts the way I do.
One
final note- the next week after I wrote the part about the lady calling my
drawing organic, my art teacher called a different drawing of mine ÒorganicÓ as
well. IÕm beginning to realize that this may just be a normal way to describe
things.
The end.