|
The Innermost Truth Of MankindÕs Soul |
by Leah Wollenberg
JEROME: A bit
odd.
SIMON: JeromeÕs
brother.
DARCY: The
daughter of JeromeÕs landlord.
Scene opens with JEROME and SIMON walking
through the door into JeromeÕs small apartment. The room is messy and dark-
sheet music and bottles are everywhere. In the corner, there is a small
mattress with a pile of clothes next to it. In the middle of the room there is
a piano with a bust of Beethoven on top.
JEROME: Ah
Simon, it is good to see you home from your travels! Many were the days that I
thought of my dear brother, wandering the cultured streets of Europe, and with
not a small amount of envy!
SIMON: Well,
itÕs good to be back. (Awkward silence.) You,
er, made some changes to the place while I was away. I donÕt remember the piano
being here. Is this the old one from mom and dadÕs?
JEROME (sighing): Yes, after a particularly
bloody battle, I managed to convince them my uses for it were much greater than
theirs, and I liberated it from its prison. They were not
keen on the idea, though, I can tell you that.
SIMON: HavenÕt
they been trying to get rid of it for years?
JEROME: Ah,
where on earth is that— here we are! (Holds
up a bottle of something, pours two glasses, and offers one to SIMON) A toast
to your homecoming!
(SIMON takes the glass, looks at it
dubiously, and takes a sip. He winces.)
SIMON: Jesus,
Jerome! What is this shit, paint thinner? Speaking of which, whereÕs all your
painting stuff?
JEROME (scoffs): How long you have been away,
Simon! Painting has been put safely in my past where it belongs.
SIMON Oh . . .
well, IÕm kinda relieved!
JEROME: As am I.
Painting was not at all the path to enlightenment I had first thought.
SIMON: You can
say that again.
JEROME: This
discovery took its toll on me, I can tell you. I was left in a state of total
uncertainty. My lifeÕs passion had betrayed me, my friends had deserted me, my
dear brother was across the world, and I was alone, floating through life with
nothing and no one to moor me to reality. It is a fearsome place, Simon.
SIMON: Hey, itÕs
gonna be ok. IÕm back now; weÕll figure this out.
JEROME: A
fearsome place that I was swept out of on the wings of heavenÕs greatest angel.
SIMON: HeavenÕs
greatest angel? Oh my God, Jerome, youÕve met someone! ThatÕs fantastic! When
can I meet her? Or, er, him?
JEROME (smiles knowingly and shakes his head):
Simon, Simon, this has always been one of youÕre biggest weakness. You assume
everything good must come in the form of something material. When I say that I was saved by heavenÕs greatest angel, I mean that I have
found the true path to the divine,
something that transcends physical manifestation . . .
SIMON (dropping his head into his hands): Oh
no . . .
JEROME: The
greatest medium of all: Composing!
(SIMON stares at JEROME incredulously.
There is a moment of silence.)
SIMON:
Composing?
JEROME:
Composing.
SIMON: Jerome,
you havenÕt played an instrument since 5th grade. And that was a
marimba.
JEROME: Now,
Simon, I said composer, not musician. Look at the master Berlioz! Besides, that
was five months ago. Many hours at the piano have done wonders for my
musicianship.
SIMON:
Berli-who? What does that— never mind. I just, wow. Why composing?
JEROME: Because
composing is the closest you-
SIMON: Can get
to the innermost truth of mankindÕs soul? (JEROME
glances at him, offended.) ThatÕs funny, because I thought that painting was the closest you could get
to the innermost truth of mankindÕs soul. And, wait a minute, wasnÕt poetry also the closest you could get to
the innermost truth of mankindÕs soul as well? And then playwriting and acting
and figure skating and—
JEROME: Simon, I
see no reason for you to point out my past dalliances. They were nothing but
minor episodes in my formerly confused life.
SIMON:
Past dalliances? Jerome, do I have to remind you—
JEROME: As a
matter of fact, you donÕt. (There is a
knock at the door) Enter!
(Enter DARCY. JEROME shoves the bottle
out of sight and smoothes his hair back.)
DARCY: Hi, Jerome—
oh! Sorry, youÕre busy, IÕll—
JEROME
(grandly): My dear Darcy, you are
forever welcome in my humble abode. (He
makes a sweeping gesture, pushing some of the crumpled sheet music out of
sight.) This is my brother, Simon.
SIMON:
Nice to meet you.
DARCY:
Nice to meet you too. (They shake hands.)
I didnÕt know you have a brother, Jerome.
JEROME
(pushes SIMON discreetly away from DARCY):
Yes, well, Simon travels quite a lot, for his work. HeÕs not around much.
DARCY:
Oh? What do you do?
JEROME:
Dull stuff, really.
SIMON:
IÕm an investigative reporter for the New York Times.
DARCY:
Oh, wow! You know, I majored in journalism.
JEROME: With a minor in music, if I
remember correctly.
DARCY:
Yep. Not like either of them have helped me find work in this damn recession.
SIMON:
You know, I could talk to my boss, see if he—
JEROME:
Simon, Darcy didnÕt come here to waste her time making small talk. What was it
you needed?
DARCY(sighs): My dad doesnÕt have the balls to do
this, so he sent me. YouÕre three weeks behind on the rent, Jerome. He needs
the money by Tuesday, at the very latest.
(JEROME is thrown
off-guard, but only for a second.)
JEROME:
I will not sully your ears with meaningless excuses. Rest-assured, I will have
the rent by Tuesday.
DARCY:
Please do. I would hate to be the one to evict you. Um, sorry if this seems kinda forward, but do you think I could get your number,
Simon? If you were serious about talking to your boss . . .
SIMON:
Sure! Here . . . (he pulls out a pen and
paper, but JEROME beats him to it.)
JEROME:
Allow me. (He writes down the number.
SIMON looks over his shoulder.)
SIMON:
That five should be a seven.
JEROME:
What? Oh, of course! You have been away so long, I had forgotten . . . (He finishes the number with an angry
flourish.) Here you are. I wish you the best of luck getting a hold of him.
He rarely has the time to talk any of us mere mortals.
(SIMON rolls his eyes but
says nothing.)
DARCY:
Well, IÕll give it a shot. Nice to meet you, Simon.
See you later, Jerome. (She exits.)
JEROME:
Oh, the pain, the ecstasy of love! (JEROME runs to the piano, begins playing
badly and singing very out of tune) Darcy, my darling, the landlordÕs
daaaaaaughter, when you look right at me, my heart begins to tooooooootter,
even if you tried, you couldnÕt be any . . . (pauses, looking for the right word,) hooooooootter . . .
SIMON:
Jerome, please shut—
JEROME
(still singing): Oh I wish I were
your gentlemanly looooooooooover! Together so many things we could
discooooooooover! I would write you songs most every daaaaaaaaaay! So that you
would never want to go awaaaaaaaaaaay! I would take you on a shopping spreeeeeeeeee, we could sit under yonder large oak
treeeeeeeeeeeee, just as long as you never evict meeeeeeeeeeee! (Seems to come to a loud finish.)
SIMON:
Yeah, can we talk about the whole eviction—
(JEROME starts playing
again, la-ing the ÒDarcyÓ melody.)
SIMON:
Jerome!
(JEROME just plays louder,
putting his hand inside the piano to strum the strings in a bad imitation of
contemporary music.)
SIMON:
Jerome! Will you— Urgh! (SIMON walks over to the piano and tries to
take JEROMEÕS hands off the keys. JEROME tries to knock him away, a scuffle
ensues, they fall, SIMON knocks JEROME over. He lies
on the floor, propped up by his elbows.)
JEROME
(with a feeble smile): Truce?
SIMON:
My first day home. Most people take a nap
when they get off a 12 hour flight. How did I end up
dealing with you?
JEROME:
Well, you needed a ride from the airport—
SIMON:
Evicted, Jerome? What are you going
to do? Move back in with mom and dad? Have you thought about the implications
of this at all? Oh God. What if you
have to move in with me—
JEROME (ever so calm): Simon, I beg of
you—
SIMON:
And what the hell is with all of this 19th century English novel
talk? What—
JEROME (getting up and brushing himself off):
Simon, please! I am not going to be
evicted.
SIMON:
YouÕre girlfriend seems to think otherwise!
JEROME
(holding up his hands in a calming
gesture): I have the money, Simon, I will give it to her on Tuesday, never
fear.
SIMON
(gaping): You have the money? Where did
you get it?
JEROME
(shrugs): Mom and dad pay the rent so
I donÕt have to live with them. I was always the less loved of their offspring,
as IÕm sure you remember.
SIMON
(slowly): If you have the money, why
didnÕt you pay the landlord when the rent was due?
JEROME
(scoffs): Simon, what great master of
the musical arts ever pays their rent
on time? We must live on the edge in order to keep the creative juices flowing.
SIMON:
Ok. You remember how, when the police almost took you to the asylum, I managed
to convince them you werenÕt crazy? IÕm starting to think I was wrong. I mean,
not paying your rent, living in ratÕs nest, what are you going to do to
yourself next!?
JEROME:
Whatever gives you the idea that IÕm going to do something to myself—
SIMON:
You tried to cut off your ear, Jerome!
And when I asked you why, you said it was because Van Gough did it, and he was
a good painter, so why not try it to see if it helped your own painting? And I
thought, oh, itÕs just one of JeromeÕs little quirks, no big deal, my brother couldnÕt be crazy, no
officer, itÕs nothing serious! Jesus, what were you thinking? What was I
thinking? What are you gonna do now? Make yourself
deaf because Beethoven was a good
composer?!
JEROME
(intrigued): I hadnÕt thought of that . . .
SIMON:
NO! (pauses) You
know what? Forget it. IÕm too jetlagged to even care. Just go on with youÕre
crazy life. Call me when you need your obituary written.
(SIMON grabs his suitcase,
exits. JEROME stands in silence for a while, a bemused expression on his face.
Lights go down as he sits at txhe piano and starts to play. There is a moment
of silence as after he finishes playing, then there is a knock at the door.
Spot goes up on the door- the rest of the stage is dark. SIMON speaks from
off-stage.)
SIMON:
Hey, Jerome, itÕs me. Listen, IÕm really sorry about last week. I didnÕt mean
what- well, all of what I said . . . look, the point is, youÕre my brother, and
I love you. (starting
to sound worried) And I really hope
you didnÕt actually make yourself deaf and—
(JEROME opens the door
dressed in full safari gear with a large backpack and a butterfly net.)
JEROME:
Ah, Simon!
(SIMON drops his head into
his hands. Lights go down. The end.)