|
Dead Men
Tell No Tales |
by Sally Castillo
Cast of
Characters:
TODD: An easily stressed man.
BERNARDO: ToddÕs roommate. A little bit chubby.
MILTON: An accountant who looks, speaks, and acts
exactly like an accountant.
NANCY: A mourning widow.
HOBO: A hobo with a grudge.
Setting:
Inside a church. An open casket sits upstage, center,
surrounded by flowers. Soft,
mournful music plays in the background.
A table with hors dÕoeuvres is on stage right. About 20 people mill around the room, talking softly to each
other. A woman dressed in
traditional mourning garb is receiving a fair amount of attention.
***
At rise, we see TODD, formally dressed
in a black suit and tie standing center stage and holding a glass of champagne. He is alone, tapping his foot and
occasionally checking his watch, obviously waiting for someone, and getting
impatient. MILTON, wearing a tweed
suit with patches over the arms, small spectacles, and a look of somber
concentration approaches TODD and taps him on the shoulder, startling him.
MILTON: (very somber) Hello, Todd.
TODD: (jumps slightly) Oh, hi Milton. WasnÕt expecting to see you here.
MILTON: CanÕt say I expected to see you
either. How did you know Jerry?
TODD: Oh, we went way
back. Played rugby together in
high school. How about you?
MILTON: IÕm his accountant. (Small pause) Well, I was.
Awkward silence. Neither man knows where to look, so
they glance around the church, at the floor, anywhere but at each other. MILTON finally breaks the silence.
MILTON: SoÉI donÕt know if youÕve paid your
respects to Nancy yetÉ
TODD: Oh, no, I havenÕt. IÕm actually waiting for my roommate to
get here. NancyÕs his boss, so we
were going to go together.
As TODD speaks, enter BERNARDO, dressed
in a pirate costume, complete with a raggedy hat and a stuffed parrot on his
shoulder which, when squeezed, utters phrases such as ÒAhoy there, Matey!Ó or
ÒShiver me timbers!Ó
TODD: He wanted me there with him, probably
for moral – (sees BERNARDO) Oh,
Jesus Christ. (He hurriedly walks over to BERNARDO, leaving MILTON behind,
looking very confused. Eventually,
MILTON wanders off to the food table.
TODD pulls BERNARDO behind a pillar, out of view of the guests. Hissing:) What the hell are you
wearing?
BERNARDO: (looking
around, clearly confused) Why
did everyone dress as accountants?
Were we supposed to? Was
there a memo?
TODD: (exasperated,
frustrated, and confused all at once) What the hell are you talking about?
BERNARDO: Your costume. EveryoneÕs costume.
You all dressed as accountants. (hurt) Why didnÕt you tell me to dress as one
too? Now I feel left out.
TODD: Bernardo, IÕm not dressed in a costume,
IÕm dressed in a suit! WeÕre all
dressed in suits!
BERNARDO: You didnÕt wear a costume?
TODD: No! Of course not!
Why would I?
BERNARDO (thinking the question is addressed to him
and proud that he knows the answer) and TODD (exasperatedly answering his own question) together: ItÕs a wake!
Small silence. Each stares at the other for a minute.
TODD: Bernardo, what are you talking
about? You donÕt wear a costume to
a wake!
BERNARDO: You donÕt?
TODD: No! (pause) Do you even know what a wake is?
BERNARDO: (indignant) Well, I thought it
was a costume party –
TODD: Oh God. No. No no no no
no. This always happens with
you. A wake is a funeral. A funeral. You do not wear a costume to a funeral. (Suddenly realizing
that BERNARDO is, in fact, wearing a costume at a funeral) Oh God! YouÕre wearing a costume at a funeral!
BERNARDO: (looking down at himself, wondering why TODD
is stating the obvious) YeahÉ
TODD: (glancing
around, anxious) We have to
get you out of here! Before
someone sees you!
BERNARDO: (suddenly
worried) Do you think he could have followed me?
TODD: What?
BERNARDO: I ran away fastÉ
TODD: That doesnÕtÉwhat? You know what? Never mind. LetÕs just get you out of here.
BERNARDO: What? But I still have to talk to Nancy!
TODD: No. No you do not.
Trust me, you donÕt even want Nancy to see you. What will she think?
BERNARDO: Well, I donÕt know. IÕm not a mind readerÉ
TODD: (getting
frantic) SheÕll think youÕre
disrespecting her dead husband, thatÕs what! And then sheÕll fire you! And then you wonÕt have a paycheck and we wonÕt be able to
pay the rent and theyÕll evict us and weÕll have to live on the street (starts hyperventilating) and weÕll have
to learn how to play drums for a living and weÕll live off of change from the
rich people passing byÉ oh Christ!
BERNARDO: Her husband died?
TODD: Yes, you
idiot! Her husband died! ThatÕs why weÕre at this wake! Because her husband died!
BERNARDO: Oh. I guess thatÕs why she was so sad this week.
TODD: (ready
to strangle his roommate, trying to sound calm) Okay. She
hasnÕt seen you yet. WeÕre in a
pretty inconspicuous corner. LetÕs
try and get you out of here.
BERNARDO: But I have to talk to Nancy!
TODD: Bernardo, I already explained
this. You do not want to talk to Nancy because she will see you in your costume
and will think that you are disrespecting her dead husband and will then fire
you!
BERNARDO: But if I donÕt talk to her sheÕll think
I didnÕt come and she said that she expected everyone at the office to be here!
TODD: Oh shit. (long pause). YouÕre
fired either way. (another long
pause. Throwing up his hands in an
ÒI give upÓ gesture:) Fine!
WeÕll live on the street!
BERNARDO:
(quietly) CouldnÕt I just change?
TODD: What?
BERNARDO: CouldnÕt I just change?
TODD: Change?
BERNARDO: Yes. Change. So I
look like an accountant.
TODD: (IÕm
saved!) Yes! Yes! You can change!
Bernardo, have I ever told you how brilliant you are? YouÕre brilliant! YouÕre amazing! (embracing him, almost crying with relief) God, I love you!
BERNARDO hugs
him back, enjoying the attention.
After a few moments, they break apart. BERNARDO is extremely content, TODD has returned to
thinking.
TODD: So, whereÕs your change of clothes?
BERNARDO: My change of clothes?
TODD: Yes. The suit you were going to change into?
BERNARDO: Suit? I donÕt have a suit.
TODD: Then how are you going to change?
BERNARDO: I thought maybe I could borrow your
suit?
TODD: My suit? (He self-consciously
smoothes his beloved suit and uncomfortably straightens his tie). IÉwellÉIÉ Well, I have to go talk to
Nancy too! If I donÕt pay my
respects, what will she think?
IÕve been here for half an hour!
SheÕll think itÕs strange if I leave without saying a word to her!
BERNARDO: Oh. Then what should I do?
TODD: (begins
pacing, thinking) I donÕt
know, I donÕt know. (stops pacing) Bernardo! (lightly
smacks his arm) Help me think!
Both men think in silence for a
minute. BERNARDO stares around
absently while TODD walks in a circle, muttering to himself.
BERNARDO: Could I use someone elseÕs suit?
TODD stops walking.
TODD: Someone elseÕs suit?
BERNARDO: Yes. Like one of the other guestÕs. (He
motions to the other mourners).
TODD: But whose would you use? ItÕs not like we know anyone – (he stops midsentence, thinking.) Wait right there.
TODD shoves BERNARDO well behind the
pillar, then walks off, looking for MILTON. The entire time the two have been talking, MILTON has been
walking around the stage alone, eating food and drinking champagne. He is confused as to where TODD went,
but has tried to appear as if he doesnÕt care that a man left him in the middle
of a conversation. TODD approaches
him near the food table.
TODD:
(whispering) Milton, could I ask a
favor?
MILTON: A favor?
TODD: Yes. A really huge favor that could save my roommate his job.
MILTON: WellÉI donÕt know. What is it?
TODD: IÕll show you. (He
takes MILTON by the arm and drags him across the room to the pillar where
BERNARDO is still hiding. MILTON
is quite shocked to see a pirate at a funeral, but tries to hide it). I need you to lend Bernardo your suit.
MILTON: MyÉmy suit?
TODD: Yes, your suit.
MILTON eyes BERNARDO, who is several
inches taller and much wider than he.
He fingers his suit.
MILTON: I donÕt knowÉ
TODD: IÕll give you five hundred dollars.
MILTON: Five hundredÉ.?...
TODD: Wonderful! So glad you agreed!
Bernardo, go change!
He shoves each man offstage, puts his
hands in his pockets, and walks through the church, waiting for BERNARDO and
trying to look nonchalant. He passes
people, giving them short, quick smiles and exchanges some polite words. He accidentally walks into one woman
and apologizes profusely, promising that it wonÕt happen again. Finally, BERNARDO emerges in MILTONÕs
suit, which is obviously much too small for him. MILTON, now dressed in the pirateÕs costume, comes
reluctantly after, enters after a few feet, then hides behind the pillar.
TODD: Hey, Milton! You donÕt look too bad! I especially like the hat. Come on, Bernardo.
LetÕs go talk to Nancy.
MILTON opens his mouth to speak as the
two men begin to walk away, but canÕt think of anything to say. BERNARDO looks uncomfortable.
BERNARDO:
UhÉToddÉ about the hatÉ
TODD: (impatiently)
What?
BERNARDO: UmmmÉthereÕs something that I kinda
need to tell you.
TODD: Can it wait?
BERNARDO: Not reallyÉ
TODD:
(sigh, letÕs get this over with) Okay. What is it?
BERNARDO: Well, see, on the way over I saw this
hat lying on the ground –
NANCY approaches, interrupting
BERNARDO.
NANCY: Bernardo, Todd, thank you so much for
coming.
TODD: (beaming
alarmingly) Nancy! We were just going to talk to you. (He
gently places an arm on her shoulder, trying his best to be comforting.) How are you holding up?
NANCY: Day by day. Day by day.
TODD: Well, weÕre both keeping you in our
prayers.
NANCY:
(tears in her voice) I canÕt thank you enough. ItÕs just so nice to see everyone here,
paying their respects to Jerry. He
was such a wonderful manÉ excuse me. (She
takes a handkerchief out of her purse and wipes her eyes.) It just makes me so happy to see that
he was so loved.
As NANCY talks, enter HOBO, dressed in
very dirty, ragged clothes. He is
clutching a bag which clanks when it moves and carries a big walking
stick. He looks very angry. He begins walking through the crowd,
rudely shoving people out of his way.
He is creating a stir, but NANCY remains oblivious, lost in her
grief. BERNARDO, however, notices
right away.
BERNARDO: ToddÉ (pulls on his sleeve)
TODD: (hissing) Bernardo, not now!
NANCY: He was so gentle and kind and
loving. I just canÕt believe that
heÕs goneÉ
BERNARDO: Todd, I need to tell you somethingÉ.
NANCY: I got a letter from his daughter
yesterday. The sweetest note IÕve
ever read. SheÕs such a wonderful
girl. Treated me like her real
mother. SheÕs stricken with grief
too, of course, but she still thought to write. SheÕs so sweet that way. I invited her over for teaÉ.
As she talks, BERNARDO continues to try
and get TODDÕs attention while TODD decidedly ignores him.
NANCY: I just donÕt know what weÕre going to
do without him. He was such a good
manÉ
HOBO:
(seeing MILTON and running to him) You!
The shout brings dead silence to the
church. NANCY stops talking,
BERNARDO stops pulling on TODDÕs sleeve, TODD stops fending him off. Everyone freezes and stares at the
corner where the HOBO is confronting MILTON.
MILTON: (frightened,
squeaks:) M-M-Me??
HOBO: YouÕre the asshole that stole my hat!
BERNARDO: Todd, I was trying to tell youÉ
MILTON: (still
squeaky) What?
TODD: Bernardo, what did you do?
HOBO: You passed by me on the street, dressed
like a fucking fruitcake, and stole my hat! It was lying right next to me and you just picked it up!
MILTON: I really donÕt remember thisÉ
HOBO: And then I yelled at you to give it
back and you fucking ran away!
TODD: Bernardo!
BERNARDO: I didnÕt know it was his! And then he yelled at me and I got
scared!
MILTON: (getting
frantic) I didnÕt steal your
hat! I swear, it wasnÕt me!
HOBO: YouÕre wearing it!
TODD: Oh ChristÉ
HOBO tries to punch MILTON. MILTON flinches and covers his
face. Luckily, the HOBO doesnÕt
have very good aim, and ends up punching the parrot instead, which squawks ÒDead
men tell no tales!Ó MILTON bolts.
The squawk seems to knock everyone out
of their trance. NANCY cries ÒDear
me!Ó and there are several cries of ÒWhat is this?Ó and ÒWho is that guy?Ó
People rush toward the HOBO, who is now chasing MILTON around the church. Amid the confusion, TODD grabs BERNARDO
and drags him to the food table.
They hide under it, and watch the chaos. Milton runs in circles around the church, the HOBO close
behind waving his stick, bag clanking with every step. Both characters are in shock.
TODD: Bernardo, I swear, sometimes I just
donÕt know what to do with you.
BERNARDO: Todd, can we go home now?
TODD: Yes. Yes, I think weÕd better go home.
The two begin to sneak across the stage
as a swarm of people finally catch the HOBO, pinning him to the floor as he
continues to yell obscenities.
MILTON, glancing over his shoulder to see if he is safe, runs straight
into NANCY who takes in his costume for a moment, then faints to the
floor. Lights down on a scene of
utter confusion: people dragging the HOBO offstage, MILTON frantically trying
to revive NANCY with his hat, and BERNARDO and TODD exiting on the other side
of the stage, unnoticed.