Dead Men Tell No Tales

 

 

       by Sally Castillo

 

Cast of Characters:

TODD: An easily stressed man.

BERNARDO: ToddÕs roommate.  A little bit chubby.

MILTON: An accountant who looks, speaks, and acts exactly like an accountant. 

NANCY: A mourning widow.

HOBO: A hobo with a grudge.

Setting:

Inside a church.  An open casket sits upstage, center, surrounded by flowers.  Soft, mournful music plays in the background.  A table with hors dÕoeuvres is on stage right.  About 20 people mill around the room, talking softly to each other.  A woman dressed in traditional mourning garb is receiving a fair amount of attention.

***

At rise, we see TODD, formally dressed in a black suit and tie standing center stage and holding a glass of champagne.  He is alone, tapping his foot and occasionally checking his watch, obviously waiting for someone, and getting impatient.  MILTON, wearing a tweed suit with patches over the arms, small spectacles, and a look of somber concentration approaches TODD and taps him on the shoulder, startling him.

MILTON: (very somber) Hello, Todd.

TODD: (jumps slightly) Oh, hi Milton.  WasnÕt expecting to see you here.

MILTON:  CanÕt say I expected to see you either.  How did you know Jerry?

TODD: Oh, we went way back.  Played rugby together in high school.  How about you?

MILTON:  IÕm his accountant. (Small pause)  Well, I was.

Awkward silence.  Neither man knows where to look, so they glance around the church, at the floor, anywhere but at each other.  MILTON finally breaks the silence.

MILTON:  SoÉI donÕt know if youÕve paid your respects to Nancy yetÉ

TODD:  Oh, no, I havenÕt.  IÕm actually waiting for my roommate to get here.  NancyÕs his boss, so we were going to go together.

As TODD speaks, enter BERNARDO, dressed in a pirate costume, complete with a raggedy hat and a stuffed parrot on his shoulder which, when squeezed, utters phrases such as ÒAhoy there, Matey!Ó or ÒShiver me timbers!Ó

TODD:  He wanted me there with him, probably for moral – (sees BERNARDO) Oh, Jesus Christ.  (He hurriedly walks over to BERNARDO, leaving MILTON behind, looking very confused.  Eventually, MILTON wanders off to the food table.  TODD pulls BERNARDO behind a pillar, out of view of the guests.  Hissing:) What the hell are you wearing?

BERNARDO:  (looking around, clearly confused)  Why did everyone dress as accountants?  Were we supposed to?  Was there a memo? 

TODD:  (exasperated, frustrated, and confused all at once) What the hell are you talking about?

BERNARDO:  Your costume.  EveryoneÕs costume.  You all dressed as accountants. (hurt)  Why didnÕt you tell me to dress as one too?  Now I feel left out.

TODD:  Bernardo, IÕm not dressed in a costume, IÕm dressed in a suit!  WeÕre all dressed in suits!

BERNARDO:  You didnÕt wear a costume?

TODD:  No!  Of course not!  Why would I?

BERNARDO (thinking the question is addressed to him and proud that he knows the answer) and TODD (exasperatedly answering his own question) together:  ItÕs a wake!

Small silence.  Each stares at the other for a minute.

TODD:  Bernardo, what are you talking about?  You donÕt wear a costume to a wake!

BERNARDO: You donÕt?

TODD:  No!  (pause)  Do you even know what a wake is?

BERNARDO: (indignant)  Well, I thought it was a costume party –

TODD:  Oh God.  No.  No no no no no.  This always happens with you.  A wake is a funeral.  A funeral.  You do not wear a costume to a funeral.  (Suddenly realizing that BERNARDO is, in fact, wearing a costume at a funeral)  Oh God!  YouÕre wearing a costume at a funeral!

BERNARDO: (looking down at himself, wondering why TODD is stating the obvious)  YeahÉ

TODD:  (glancing around, anxious)  We have to get you out of here!  Before someone sees you!

BERNARDO:  (suddenly worried) Do you think he could have followed me?

TODD:  What?

BERNARDO:  I ran away fastÉ

TODD:  That doesnÕtÉwhat?  You know what?  Never mind.  LetÕs just get you out of here.

BERNARDO:  What?  But I still have to talk to Nancy!

TODD:  No.  No you do not.  Trust me, you donÕt even want Nancy to see you.  What will she think?

BERNARDO:  Well, I donÕt know.  IÕm not a mind readerÉ

TODD:  (getting frantic)  SheÕll think youÕre disrespecting her dead husband, thatÕs what!  And then sheÕll fire you!  And then you wonÕt have a paycheck and we wonÕt be able to pay the rent and theyÕll evict us and weÕll have to live on the street (starts hyperventilating) and weÕll have to learn how to play drums for a living and weÕll live off of change from the rich people passing byÉ oh Christ!

BERNARDO:  Her husband died?

TODD: Yes, you idiot!  Her husband died!  ThatÕs why weÕre at this wake!  Because her husband died!

BERNARDO:  Oh.  I guess thatÕs why she was so sad this week.

TODD:  (ready to strangle his roommate, trying to sound calm)  Okay.  She hasnÕt seen you yet.  WeÕre in a pretty inconspicuous corner.  LetÕs try and get you out of here.

BERNARDO:  But I have to talk to Nancy!

TODD:  Bernardo, I already explained this.  You do not want to talk to Nancy because she will see you in your costume and will think that you are disrespecting her dead husband and will then fire you!

BERNARDO:  But if I donÕt talk to her sheÕll think I didnÕt come and she said that she expected everyone at the office to be here!

TODD:  Oh shit. (long pause).  YouÕre fired either way. (another long pause.  Throwing up his hands in an ÒI give upÓ gesture:) Fine!  WeÕll live on the street!

BERNARDO: (quietly)  CouldnÕt I just change?

TODD:  What?

BERNARDO:  CouldnÕt I just change?

TODD:  Change?

BERNARDO:  Yes.  Change.  So I look like an accountant.

TODD:  (IÕm saved!)  Yes!  Yes!  You can change!  Bernardo, have I ever told you how brilliant you are?  YouÕre brilliant!  YouÕre amazing! (embracing him, almost crying with relief)  God, I love you!

BERNARDO hugs him back, enjoying the attention.  After a few moments, they break apart.  BERNARDO is extremely content, TODD has returned to thinking.

TODD:  So, whereÕs your change of clothes?

BERNARDO:  My change of clothes?

TODD:  Yes.  The suit you were going to change into?

BERNARDO:  Suit?  I donÕt have a suit.

TODD:  Then how are you going to change?

BERNARDO:  I thought maybe I could borrow your suit?

TODD:  My suit?  (He self-consciously smoothes his beloved suit and uncomfortably straightens his tie).  IÉwellÉIÉ Well, I have to go talk to Nancy too!  If I donÕt pay my respects, what will she think?  IÕve been here for half an hour!  SheÕll think itÕs strange if I leave without saying a word to her!

BERNARDO:  Oh.  Then what should I do?

TODD:  (begins pacing, thinking)  I donÕt know, I donÕt know.  (stops pacing)  Bernardo! (lightly smacks his arm)  Help me think!

Both men think in silence for a minute.  BERNARDO stares around absently while TODD walks in a circle, muttering to himself.

BERNARDO:  Could I use someone elseÕs suit?

TODD stops walking.

TODD:  Someone elseÕs suit?

BERNARDO: Yes.  Like one of the other guestÕs.  (He motions to the other mourners).

TODD:  But whose would you use?  ItÕs not like we know anyone – (he stops midsentence, thinking.)  Wait right there. 

TODD shoves BERNARDO well behind the pillar, then walks off, looking for MILTON.  The entire time the two have been talking, MILTON has been walking around the stage alone, eating food and drinking champagne.  He is confused as to where TODD went, but has tried to appear as if he doesnÕt care that a man left him in the middle of a conversation.  TODD approaches him near the food table.

TODD: (whispering) Milton, could I ask a favor?

MILTON:  A favor?

TODD:  Yes.  A really huge favor that could save my roommate his job.

MILTON:  WellÉI donÕt know.  What is it?

TODD:  IÕll show you.  (He takes MILTON by the arm and drags him across the room to the pillar where BERNARDO is still hiding.  MILTON is quite shocked to see a pirate at a funeral, but tries to hide it).  I need you to lend Bernardo your suit.

MILTON:  MyÉmy suit?

TODD:  Yes, your suit.

MILTON eyes BERNARDO, who is several inches taller and much wider than he.  He fingers his suit.

MILTON:  I donÕt knowÉ

TODD:  IÕll give you five hundred dollars.

MILTON:  Five hundredÉ.?...

TODD:  Wonderful!  So glad you agreed!  Bernardo, go change! 

He shoves each man offstage, puts his hands in his pockets, and walks through the church, waiting for BERNARDO and trying to look nonchalant.  He passes people, giving them short, quick smiles and exchanges some polite words.  He accidentally walks into one woman and apologizes profusely, promising that it wonÕt happen again.  Finally, BERNARDO emerges in MILTONÕs suit, which is obviously much too small for him.  MILTON, now dressed in the pirateÕs costume, comes reluctantly after, enters after a few feet, then hides behind the pillar.

TODD:  Hey, Milton!  You donÕt look too bad!  I especially like the hat.  Come on, Bernardo.  LetÕs go talk to Nancy.

MILTON opens his mouth to speak as the two men begin to walk away, but canÕt think of anything to say.  BERNARDO looks uncomfortable.

BERNARDO: UhÉToddÉ about the hatÉ

TODD:  (impatiently) What?

BERNARDO:  UmmmÉthereÕs something that I kinda need to tell you.

TODD:  Can it wait?

BERNARDO:  Not reallyÉ

TODD: (sigh, letÕs get this over with)  Okay.  What is it?

BERNARDO:  Well, see, on the way over I saw this hat lying on the ground –

NANCY approaches, interrupting BERNARDO.

NANCY:  Bernardo, Todd, thank you so much for coming.

TODD:  (beaming alarmingly)  Nancy!  We were just going to talk to you.  (He gently places an arm on her shoulder, trying his best to be comforting.)  How are you holding up?

NANCY:  Day by day.  Day by day. 

TODD:  Well, weÕre both keeping you in our prayers.

NANCY: (tears in her voice)  I canÕt thank you enough.  ItÕs just so nice to see everyone here, paying their respects to Jerry.  He was such a wonderful manÉ excuse me. (She takes a handkerchief out of her purse and wipes her eyes.)  It just makes me so happy to see that he was so loved.

As NANCY talks, enter HOBO, dressed in very dirty, ragged clothes.  He is clutching a bag which clanks when it moves and carries a big walking stick.  He looks very angry.  He begins walking through the crowd, rudely shoving people out of his way.  He is creating a stir, but NANCY remains oblivious, lost in her grief.  BERNARDO, however, notices right away.

BERNARDO:  ToddÉ (pulls on his sleeve)

TODD:  (hissing)  Bernardo, not now!

NANCY:  He was so gentle and kind and loving.  I just canÕt believe that heÕs goneÉ

BERNARDO:  Todd, I need to tell you somethingÉ.

NANCY:  I got a letter from his daughter yesterday.  The sweetest note IÕve ever read.  SheÕs such a wonderful girl.  Treated me like her real mother.  SheÕs stricken with grief too, of course, but she still thought to write.  SheÕs so sweet that way.  I invited her over for teaÉ.

As she talks, BERNARDO continues to try and get TODDÕs attention while TODD decidedly ignores him.

NANCY:  I just donÕt know what weÕre going to do without him.  He was such a good manÉ

HOBO: (seeing MILTON and running to him)  You!

The shout brings dead silence to the church.  NANCY stops talking, BERNARDO stops pulling on TODDÕs sleeve, TODD stops fending him off.  Everyone freezes and stares at the corner where the HOBO is confronting MILTON.

MILTON:  (frightened, squeaks:) M-M-Me??

HOBO:  YouÕre the asshole that stole my hat!

BERNARDO:  Todd, I was trying to tell youÉ

MILTON:  (still squeaky)  What?

TODD:  Bernardo, what did you do?

HOBO:  You passed by me on the street, dressed like a fucking fruitcake, and stole my hat!  It was lying right next to me and you just picked it up!

MILTON:  I really donÕt remember thisÉ

HOBO:  And then I yelled at you to give it back and you fucking ran away!

TODD:  Bernardo!

BERNARDO:  I didnÕt know it was his!  And then he yelled at me and I got scared!

MILTON:  (getting frantic)  I didnÕt steal your hat!  I swear, it wasnÕt me!

HOBO:  YouÕre wearing it!

TODD:  Oh ChristÉ

HOBO tries to punch MILTON.  MILTON flinches and covers his face.  Luckily, the HOBO doesnÕt have very good aim, and ends up punching the parrot instead, which squawks ÒDead men tell no tales!Ó MILTON bolts.

The squawk seems to knock everyone out of their trance.  NANCY cries ÒDear me!Ó and there are several cries of ÒWhat is this?Ó and ÒWho is that guy?Ó People rush toward the HOBO, who is now chasing MILTON around the church.  Amid the confusion, TODD grabs BERNARDO and drags him to the food table.  They hide under it, and watch the chaos.  Milton runs in circles around the church, the HOBO close behind waving his stick, bag clanking with every step.  Both characters are in shock.

TODD:  Bernardo, I swear, sometimes I just donÕt know what to do with you.

BERNARDO:  Todd, can we go home now?

TODD:  Yes.  Yes, I think weÕd better go home.

The two begin to sneak across the stage as a swarm of people finally catch the HOBO, pinning him to the floor as he continues to yell obscenities.  MILTON, glancing over his shoulder to see if he is safe, runs straight into NANCY who takes in his costume for a moment, then faints to the floor.  Lights down on a scene of utter confusion: people dragging the HOBO offstage, MILTON frantically trying to revive NANCY with his hat, and BERNARDO and TODD exiting on the other side of the stage, unnoticed.