If Streets Could Speak
by Aleksis Bertoni
A southern breeze carries the haze from the industrial district downtown. It flows into my mouth, mingles with the taste of my cigarette, giving it a sulfurous tang that easily overpowers the MentholÕs mint. I cough, my eyes watering, and the world suddenly plunges into a cloudy gray punctuated only by streaks of light emanating from the hills on the edge of town. I got an offer a few months back to transfer to their precinct. Apparently one of their brass was retirement age and they were looking for someone to replace him. It wouldÕve meant a promotion, more money, easy work, maybe even early retirement. Hell, maybe I could even get a house up there, completely free from the grit and haze of the inner city.
I turned them down. Truth is, I love this job. ThereÕs a reason nobody retires in this precinct, and it ainÕt cause of getting killed before they get the chance. Everything has a tangible feeling here; the air has texture, the streets have so many potholes that most can drive by feel alone, and the buildings take on the shady character of their residents. Bob Crumb, Sam the Eagle, the Captain, all of them have been offered desk jobs, promotion, retirement, but they still work the beat. Heroes, the lot of them. The sulfur crept between my lips again, and I fell into a coughing fit.
ÒYou all right, partner?Ó asked a slightly nasal voice from behind me.
ÒYeah, IÕm fine,Ó I sputtered. As I straightened up, I spotted a few droplets of blood on the sidewalk. I covered them up with my shoe. ÒWhere to tonight, Kermit?Ó
ÒReport of a body in the alley behind the SwedeÕs place. WeÕre closest.Ó
ÒHuman or felt?Ó I asked, dropping my cigarette into the gutter.
ÒA little of both, according to the chick who phoned it in.Ó
I cracked a smile. ThatÕs what I loved about my beat. The crooks and sickos of Sesame Street were creative.
***
When we pulled up, the Swede was already on the corner waiting for us. His restaurant was as upscale as things got here in the slums, although that didnÕt mean much, considering you could count the number of eateries without a drive-thru on one hand. He looked anxious.
ÒSeeyr bork deer izz der bordy,Ó he said, gesturing toward the alley.
ÒOk, great,Ó Kermit replied. ÒNow you made sure not to touch anything, right?Ó I stared in amazement. How he managed to make any sense of that gibberish was a mystery to me.
ÒNoo der bordy izz prishteen,Ó he answered, giving an exaggerated kiss to his gathered fingers to accentuate his point.
ÒPerfect. Can you show us how you found it?Ó The Swede nodded several times nervously and walked ahead of us into the alley. Once he was out of earshot, I looked down at my partner questioningly. He met my gaze and got my meaning. ÒI spent a summer backpacking through Europe. They all sound like that there.Ó
I paused to consider what a conversation between two Swedes would sound like, and then suddenly felt very grateful to be born in the US. ÒLetÕs go check out the stiff.Ó
The refuse in the alley was unmistakably that of a restaurant: liquefied produce, spoiled meat, and puddles of bleach gathered in the corners and spilled into our path. ÒSo what kind of food do you serve here?Ó I asked the chef, trying to calm his nerves with some light conversation.
ÒPork!Ó he replied enthusiastically. I waited for him to elaborate, but he continued to bounce along obliviously. ÒOther than that, do you have any specialties?Ó I prompted him.
ÒStork!Ó he responded cheerfully.
ÒOh, theyÕre kind of lean, huh? Are you supposed to eat them with your fingers, orÉ?Ó
ÒFork!Ó he said, and I caught sight of an impish smile from beneath his bushy mustache. It disappeared as soon as we rounded the corner. It was hard to follow his gaze when his eyes were almost completely covered by his precariously situated eyebrows, but I didnÕt really need the help. The corpse was positioned like a holy figure, draped in a flowing robe and seated Buddha-style amidst a pile of skinned felts and human organs. The chest cavity had been delicately cut open, the skin peeled back and its contents replaced with those of a felt. Or several felts, as it seemed. Its face (her face, as I could now see) had several dark lines running across it, fresh scars that looked like the work of an amateur plastic surgeon. Despite the hackjob done on her face and body, I could tell that she was once quite beautiful.
The Swede doubled over and poured his stuffing out onto the pavement.
ÒGet him out of here before he contaminates anything else!Ó Shouted Kermit, ÒAnd get Honeydew and Beaker!Ó
***
Dr. Bunsen Honeydew and his assistant Beaker were the backbone of the departmentÕs forensics team, for all their flaws. Honeydew was rather absent-minded, but was revered for his brilliant intuition. And Beaker, wellÉ
"MEEPmeepmeepMeeepmeepmeepMEEP!" Kermit and I shared a glance before I tactfully asked: ÒBunsen! Do you think you could explain that without all the, uh, scientific terms?Ó
ÒWhy, of course! Going over the crime scene, we werenÕt able to find any human skin cells on any of the feltoids or our Jane Doe, but we did find a lot of evidence suggesting feltoid involvement.Ó
At this, Kermit jumped in. ÒLike what? Felt fibers? Stuffing? You have to take into account the SwedeÕs contamination of the scene.Ó
ÒMeepmeepMEEPmeepmeepmeeeeepmeepmeep.Ó
Kermit and I looked at Bunsen expectantly. ÒI wouldnÕt have put it so bluntly, Beaker. Anyway, we did the Test, and unless the Swede pulled the organs out himself, it seems there was another feltoid at the scene.Ó The Test was something only felts could do. Somehow they could sense each otherÕs recent history with objects and locations. It wasnÕt specific—it could only confirm the presence of a felt, not their identity—but it was definitive. Upon hearing the results, Kermit seemed to deflate a little.
ÒMEEPMEEPmeepMeepmeepmeepmeep.Ó
We waited. Eventually, Bunsen bridged the silence. ÒWell, you heard him! Get on the lookout for someone whoÕs not afraid to get dirty. He may be a witness, or even the culprit!Ó
Kermit smiled. ÒI may know just the guy. Get your boots, kid.Ó
***
The city dump was infested with ferals. Most felts had a weak sense of smell and were immune to most of the diseases crawling through all this filth, so for those who were down on their luck or sick of regular society, the dump was, well, not quite a sanctuary. But it was an option. The trek through the sludge and offal was time-consuming for both of us. I was preoccupied with not getting tetanus. As for Kermit, he was painfully aware of how easily felt stains.
ÒYou know,Ó Kermit spoke slowly, the rhythm of his speech matching the difficulty of each step. ÒThereÕs a rumor going around that Bunsen ainÕt all heÕs cracked up to be.Ó
ÒWhaddya mean? HeÕs cracked hundreds of cases! HeÕd probably have solved more if he didnÕt waste all his time translating for that idiot assistant.Ó
ÒThatÕs-just-it,Ó he said with difficulty as he pulled himself over a washing machine that was home to a family of rats. ÒOh, hi Rizzo. Not now, on duty.Ó
I stood still for a moment until I caught on to what he was saying. ÒBullshit.Ó
ÒI checked out HoneydewÕs old performance reviews. They were all mediocre until a few months after Beaker was hired, when he suddenly became Sherlock fucking Holmes.Ó
ÒWell, of course his performance reviews werenÕt great initially—he was a rookie. Everyone gets better eventually.Ó
Kermit grinned back at me. ÒYou didnÕt, haha. But seriously, hereÕs the thing. Beaker was originally hired as a janitor. He cleaned floors and fed Honeydew home runs for years, until Bunsen got enough sway in the lab to get him hired as an assistant.Ó
ÒThatÕs Good Will Hunting.Ó
ÒWhat?Ó his voice echoed out from inside a concrete tunnel.
ÒGood Will Hunting. The one with Matt Damon and Big Bird? You just took that plot and switched the details around.Ó
ÒNever heard of it. Listen, stop wasting time and climb down here. We gotta see Oscar.Ó
***
Oscar, aka Oscar the Grouch, was the unofficial leader of the dumpÕs inhabitants. ÒHe may seem like an asshole,Ó Kermit warned me, Òbut he looks out for his people and heÕs got an army of dumpster divers and panhandlers that trust him with their lives. If any of them saw what happened, Oscar knows about it.Ó
The tunnel opened up through a jagged hole into a cavern the size of a trailer. The smell hinted at the caveÕs previous occupation—the place had the combination of earthy and fetid smells that was unique to septic tanks. I rolled up my cuffs.
ÒKermit, itÕs been a long time! WhoÕs the meatbag?Ó inquired a furry green felt perched atop a throne of filth.
ÒHeÕs my partner. Look, we need to know if any of your people—Ó
Oscar ignored the question. ÒOh, really? What happened to your old partner, the skinny guy?Ó I shot Kermit a worried glance. He didnÕt acknowledge it.
ÒA human and two felts were brutally murdered out by the SwedeÕs place, and the Test placed a felt dumpster diving there around the same time. We need to know if they saw—Ó
Oscar cut in again. ÒI was just yanking your chain earlier. I already know how Skinny died. Does the new one know about it?Ó When Kermit didnÕt reply, Oscar addressed me directly. ÒYou ever heard of a Snuffleupagus? TheyÕre not so bad, at first. They bond to you when theyÕre real young, act like youÕre their mother, right? But they grow big, fast, and they get fiercely jealous of anyone who even gets near you, to the point where theyÕre willing to kill. TheyÕre some of the biggest Muppets,Ó at this word, Kermit winced. Òbigger even than Big Bird, so theyÕre strong as a fuckinÕ bull and nearly impossible to kill the conventional ways. Did I mention the fact that theyÕre invisible to you meatbags? Anyway, a decade back one of these things bonded to your partner and since then, itÕs killed off his family, his partners, even that fat pig of a girlfriend.Ó
ÒDonÕt you dare talk about Miss Piggy like that.Ó Kermit said. The words were quiet, but the power behind them was tangible. His revolver was pointed at OscarÕs stomach.
Oscar cracked a smile. ÒYou know where youÕre standing? In this chamber is all the methane a healthy family can produce in 50 years worth of shits! YouÕd blow me, you, your partner, and Fozzie Bear (ÒWocka wocka wocka,Ó echoed from somewhere deep in the cavern) to hell over some hurt feelings?Ó His smile fell flat. ÒYouÕre too easy, frog.Ó
Kermit lowered the gun and spoke slowly. ÒDid your people see anything behind the SwedeÕs place?Ó
Oscar raised an eyebrow, opened his mouth, then closed it again. His bravado had evaporated. He growled out: ÒFozzie, get in here.Ó
A bear-shaped felt popped out from a side passage. ÒHey everybody! You know the worst part about living in a septic tank with Oscar? It doesnÕt cover up his smell!Ó
Kermit and I just stared blankly. ÒWocka wocka wocka?Ó the bear continued, timidly. ÒTell them what you told me,Ó ordered Oscar. Fozzie turned to us, sighed, and said ÒYour dickÕs too small to satisfy me.Ó
ÒAbout the murders you saw, idiot!Ó Oscar shouted.
ÒOkay, okay, IÕm getting to it!Ó The bear turned to us once again. ÒWhat I saw was no murder. It was butchery, and it was Big Bird that did it. He butchered the works of Shakespeare with his performance in—Ó He was interrupted by a nickel-sized hole in his stomach. Smoke danced off the end of KermitÕs revolver.
ÒYou bastard! You could have killed us!Ó Oscar roared.
ÒMethaneÕs lighter than air. If there was any in here, it would have floated out long ago.Ó Kermit replied calmly. ÒNow, you wanted to tell us something, Fozzie?Ó
Fozzie was writhing on the floor, stuffing spilling out of the hole in his chest. ÒI saw a human dumping bodies!Ó he screamed. ÒThe killer was human!Ó
Kermit and I exchanged looks. ÒThatÕs not possible. The Test confirmed that a felt handled the bodies.Ó
Fozzie was gasping. ÒShe—was a human. Weird—looking, maybe, but human.Ó
I cut in. ÒWeird-looking how?Ó
ÒThe face—the way she moved. WasnÕt—right.Ó
ÒAre you sure this was behind the SwedeÕs place?Ó Kermit pulled out a photo of the human victim. ÒThis was the human, right?Ó
ÒIt was both of them.Ó The pile of stuffing surrounding Fozzie was growing larger. He tried to scoop it back in, but it just poured out of the exit wound in his back.
ÒThere were two human victims? Like twins?Ó I asked. This was gonna make the victims a lot easier to identify.
ÒNoÉ the one who dumped the bodies and the dead chick both looked like—that.Ó
ÒOne twin killing another.Ó Even better. WeÕd have the killerÕs name by morning.
ÒYouÕre not—listening—to me!Ó Fozzie wheezed, his anger momentarily distracting himself from the wound. ÒThe girl moved—like a human, the killer didnÕt!Ó
ÒOk, got it,Ó I replied. ÒOscar, can you patch him up?Ó
ÒNot sure itÕs worth it.Ó
ÒIÕll shoot you if you donÕt.Ó
ÒNot sure itÕs worth it.Ó
ÒFine, donÕt save him.Ó Kermit reasoned. ÒYou can live by yourself in this shithole. LetÕs go, partner.Ó We ran back up the pipe and left Fozzie to an uncertain fate.
***
ÒThat stuff about the Snuffleupagus wasnÕt true, was it?Ó I asked, staring out the passenger side window and trying to sound nonchalant.
ÒWhich part?Ó He asked from atop the pile of dictionaries in the driverÕs seat.
ÒHow about the invisibility thing? ThatÕs not possible, right?Ó I shifted in my seat. For some reason, I just couldnÕt get comfortable.
ÒOh, itÕs possible. The way we figure it, theyÕre some kind of Ur-felt. ThatÕs why we can see them, itÕs like the Test. And the reason you canÕtÉ maybe itÕs because they donÕt make sense to you. Other felts come in a form you can recognize—I look like a frog, other felts look kinda like humans or birds or whatever, because the felts that made us patterned us on things in your world. But Snuffleupagus, they donÕt look like anything in this world. Which is why we think theyÕre from before. Which is why, maybe, you canÕt imagine them.Ó
I paused. ÒWhat do they look like?Ó
Kermit shot me a sardonic look. ÒWhat do you care? You canÕt see them.Ó
ÒJust describe them as you see them. I just want to know whatÕs coming.Ó
ÒItÕs notÉÓ He stopped himself. He drove three blocks before he started again. ÒThey all look different. Some of them are really weird. Mine is shaped like a human, but it has these long fangs, purplish skin, sharp claws, and has bat wings coming out of his back.Ó
ÒSo, itÕs a bit like a vampire?Ó I asked.
ÒSort of. But scarier.Ó
ÒLike the Count over at H & R Block!Ó
ÒNo no no.Ó
ÒThe Count sings while he does my taxes. Does your Snuffleupagus do that too?Ó
I turned away from Kermit stern gaze and saw unfamiliar street signs. I suddenly realized that were no longer on our way to the precinct. ÒHey, where are we going? WeÕve got a good lead on the victim and the killer. We should be heading back to base.Ó
ÒSomething about what Fozzie said doesnÕt sit right with me. WeÕre gonna visit some old hands who might be able to shed some light.Ó He says without lifting his eyes from the road. I think he is angry with me.
ÒFuck Fozzie! You left him to die back there with Oscar, and now youÕre acting like his word is gospel?Ó
ÒOscar wasnÕt gonna let him die. I can see the way looks at him. Besides, IÕm the driver. You donÕt like it, you can walk.Ó
ÒFine,Ó I slumped back into my chair, defeated. ÒBut you can at least tell me who the hell these Ôold handsÕ are.Ó
ÒLet me start by saying that if you thought Fozzie was badÉÓ
ÒStop the car. IÕm getting out.Ó
ÒShut up and listen. Their names are Statler and Waldorf.Ó
The Statler and Waldorf? I thought. The only beat cops ever forced into retirement by the precinct?
ÒThe Statler and Waldorf?Ó I said. ÒThe only beat cops ever forced into retirement by the precinct?Ó
ÒThose are the ones. They were forced out for more than just political reasons. From what I hear, their last case put them in deep shit with the Alphas.Ó
ÒWho?Ó
ÒThey explain things better than I do. They can teach you a lot, if you can put up with their heckling.Ó
***
Kermit pulled up in front of an antiquated tavern. The sign above the door was long past intelligible, graffiti coated the brick, and several of the windows had been boarded up. However, it seemed that their customers werenÕt the type to fret over such details, as there was barely room to stand on the inside. The only conspicuous exception was the area around a booth occupied by two ancient felts. They were watching some mixed martial arts competition on a flat screen mounted on the adjacent wall and commenting loudly about it. I looked around. All the other TVs were CRTs, and none of them were placed inside the booths. These guys got the royal treatment.
ÒThat contestant is fighting with two different styles!Ó
ÒThatÕs odd. He should learn how to fight with one first!Ó
ÒDOHOHOHOHOHO!Ó
I gave Kermit a pained expression. He just shrugged.
ÒThat oneÕs fighting style goes back a long ways.Ó
ÒWell, it didnÕt go back far enough. I could still see it!Ó
ÒDOHOHOHOHOHO!Ó
Christ, they were worse than Fozzie. I realized they were just gonna keep going if I didnÕt jump in. ÒExcuse me, fellas—Ó They turned around briefly. ÒYouÕre excused. Just promise us youÕll do that sort of thing outdoors from now on!Ó
ÒDOHOHOHOHOHO!Ó
Sensing my annoyance, Kermit took the lead. ÒCut it out, guys. SomethingÕs up.Ó
ÒWhoÕs your new partner? He seems kind of wet behind the ears.Ó
ÒYeah, Kermit. He looks almost as green as you!Ó
ÒDOHOHOHOHOHO!Ó
ÒThey may look green, but these fruits sure do smell ripe!Ó
ÒDOHOHOHOHOHO!Ó
ÒWe think weÕve found a rogue Alpha,Ó said Kermit. The old felts fell silent. Statler, with his thick mustache, spoke slowly. ÒClever human killers are often misidentified as Alphas. They donÕt leave DNA or fingerprintsÉlazy cops say ÔAlphaÕ, and suddenly nobody wants to touch it. The problem goes away. Are you sure thatÕs not the case here?Ó
Kermit did the best deadpan stare his comical face could manage. ÒI am not a lazy cop, Statler. The Test confirmed a felt, and we got an eyewitness that says the only person doing the gutting was a weird looking human that didnÕt move right. Now, are you gonna help us out?Ó
ÒWhy should we get involved?Ó Waldorf demanded. ÒThe last time we had a run-in with a rogue, the Alphas almost had us black-bagged. Hell, look at us! Stuck in this fucking dive for the rest of our days because the fuckinÕ council of bogeymen wonÕt let us show our faces anywhere else! WhatÕll they do to us if they find out weÕre helping you out on this?Ó
My head was spinning. I was way out of my depth here. ÒMaybe theyÕll let you off the hook,Ó Kermit replied. ÒYou know how they feel about embarrassments. If we kill the rogue instead of booking it, everyoneÕs happy. No more murders, no more rogue bringing attention to the Alphas.Ó I did a double take. Kermit was a little unorthodox sometimes, but the bad guys always got put in a cell, not a grave.
ÒWhat the fuck is an Alpha?Ó I asked, perhaps a little louder than was necessary. All three pairs of those oversized eyes looked around frantically before turning back and shooting daggers at me. Kermit broke the tension: ÒKid, what do you know about felt castes?Ó
ÒI didnÕt know there were any.Ó
ÒThatÕs good,Ó replied Waldorf, stroking his massive chin thoughtfully. ÒWe like to keep these things private. Now, donÕt go sharinÕ this with your meatbag friends, but there are four kinds of felts.Ó My eyes widened. Three races of felts hidden from the public? Maybe the bigots were right not to trust ÔemÉ
Statler picked up where his partner left off. ÒLifespan and intelligence vary by which caste youÕre in. The lowest, Deltas, are basically socks with eyes sewn on. Dumb as rocks. They only live for a couple months. Gammas are a step above that. Basically stuffed clothes or furniture with a face and hair attached. You can train Ôem to do simple tasks and their live about as long as a small dog. For some reason, theyÕre better at Testing than us.Ó
ÒUs?Ó I prompted.
Kermit took this one. ÒBetas. Pretty much all the felts you see in your everyday life.Ó
Waldorf elaborated: ÒOur lifespan is comparable to that of humans, maybe a little longer because we donÕt get killed as easily, and weÕre comparably intelligent, too. With some differences.Ó
I raised an eyebrow.
Kermit obliged me once again. ÒWeÕre not so great at math,Ó he said with an uncomfortable smile.
ÒBut the Count does my taxes!Ó I argued, ÒAnd Bunsen and Beaker are fucking scientists!Ó
ÒHonestly, the Count is one of our finest mathematical minds, and heÕs still only on the level of a human accountant,Ó Kermit explained. ÒPlus, Bunsen and Beaker got to where they are only because felts have much stronger intuitions than you humans.Ó
ÒSo thatÕs why you always make me figure out the bill? And why felts wanted separate schools?Ó I asked.
ÒDonÕt be an asshole about this.Ó Waldorf commanded. ÒItÕs a sore spot for us.Ó
ÒFine, fine,Ó I relented. ÒBut why keep the other castes a secret? I donÕt think humans would give a damn about retarded socks or talking sofas.Ó
Kermit donned that awkward smile again. ÒWeÕre a little embarrassed by them. Plus, if you knew about them, you might guess the existence of the Alphas.Ó
The events of the last day were starting to make some sense. ÒNo way.Ó
ÒAlphas are felts that are designed to look like human women, or near enough,Ó stated Statler. ÒTheyÕre smart as hell and basically ageless. TheyÕre secretive, though, and like to stay out of human affairs.Ó
ÒWhy do they care? So what if we know about them?Ó
ÒWhat do you think might happen if people found out about a race of beautiful women that never aged?Ó Waldorf asked. ÒSlavery. Any Alpha that was discovered by humans became the pet of one great family or another until she either offed herself or managed to escape.Ó
ÒUsually by killing the lot of Ôem.Ó Statler added. ÒListen, boy, most of these escaped Alphas join the Quorum, which as far as we can tell, is solely concerned with keeping their own existence hidden. However, sometimes their previous occupations leave them with a little too much baggage and they get kindaÉoff kilter.Ó
This was a lot to digest. So many questionsÉ ÒWhy do they only look like human women?Ó
ÒBecause humans commissioned them. Felts make their own, so one day a meatbag figured that for the right price, maybe they could make humans, too,Ó answered Waldorf.
ÒThatÕs only a theory,Ó interjected Kermit, ÒMost of what theyÕve told you is conjecture based on their little run-in with the Quorum.Ó I tilted my head inquisitively.
ÒThe case that ended our careers.Ó WaldorfÕs bitterness poisoned his speech. Statler just stared at the bottom of his mug. ÒSupposed to be a missing persons. We tracked the girl to an ice factory at the north end of the industrial district, but by the time we got there, it was already tearing itself apart. Let me tell you, you ainÕt seen nothing till youÕve seen an AlphaÕs guts—they flow like water, but they ainÕt wet. They just kept spilling out, unraveling from around the bones until she looks like a deflated balloon or something. Even after that, she kept on trying to claw at her wounds until we put her down ourselves. We went back to her parentsÕ place to try to get some answers, but the place looked like it had been empty for years. Before we knew it, the body disappeared, anyone who didnÕt keep quiet was black-bagged, and we were kicked out on our asses. And you guys are worse off than us—youÕve got a killer! You two have got to be real careful about who you trust with this one. Even if you do manage to take it down, youÕve lost anyway if word gets out about it.Ó
ÒI appreciate the advice, fellas, but we got more pressing concerns,Ó countered Kermit. ÒYou guys got any idea how we can find our rogue?Ó
ÒBreak a mirror?Ó
ÒWalk under a ladder?Ó
ÒPiss off a gypsy?Ó
Kermit stood up. ÒThanks a lot. LetÕs go, partner.Ó I gave a brief nod to Statler & Waldorf and scrambled to my feet, but Kermit was gone when I turned around. The motor was already running by the time I stepped into the cool night air.
ÒWhatÕs the hurry?Ó I asked as opened the door of the brown Studebaker. We couldnÕt have been gone for more than thirty minutes, but the leather inside had already reached equilibrium with the icy air, and it eagerly sucked the heat from my ass as soon as I sat down. ÒWe donÕt have a single lead. LetÕs just go back to the station, tell everyone what we know, and wait this out.Ó
ÒWait for what?Ó he asked impatiently. ÒAnother triple homicide? Listen, kid, as soon as anyone at the station catches wind that weÕre onto an Alpha, this case is over. The Quorum will want to conduct their own investigation, and the department will step off because theyÕre so deep in their pocket that they canÕt tell when itÕs noon or midnight. Now, maybe the Quorum will find the killer and bring her to justice, or a close facsimile. But in the time it will take for that to happen, more people are going to die. Right now, weÕre closer to the truth than anyone else, and we gotta follow this story to the end. You with me?Ó
The air in the car, normally hazy with cigarette smoke and felt particles, became perfectly clear as I stared into KermitÕs eyes. ÒAll right. WhereÕre we headed, boss?Ó
ÒLetÕs pay a visit to Beaker.Ó
ÒBut you said we couldnÕt go back to the station! You said we couldnÕt tell anybody!Ó
ÒCheck your watch, kid—itÕs one oÕ clock. WeÕre making a house call. Besides, whoÕs he gonna tell?Ó
***
Beaker lived in a basement apartment on the border of the municipal and residential districts. Not a bad location, but you wouldnÕt know it based on the state of the building. Beaker brought some of his work home, as made apparent by the chemical spills and biomedical waste containers strewn around the garbage cans. We buzzed the intercom a few times before we got an answer.
ÒMeepmeepMeep?Ó he sounded tired. I think.
Kermit didnÕt bother with pleasantries. ÒItÕs us. We need to know what you found at the crime scene.Ó
ÒMeepmeepmeepMeepmeepMEEPMEEPMEEEPMEEPMEEP?Ó
I hazarded a guess. ÒWe canÕt afford to bring this into the precinct. We need to take care of this one off the record.Ó There was silence on the other end of the line. I was inclined to give him all the time he needed, but Kermit doesnÕt have my patience.
ÒIf you donÕt help us now, either we stonewall you on our info or this case gets taken out of all of our hands by the brass. If you want to know whatÕs really going on, this is your one chance. So, are you in?Ó More silence.
ÒAffirmative or negative, Beaker,Ó Kermit urged.
ÒÉMeepmeepmeepmeep.Ó
Kermit brightened up. ÒGreat! Buzz us in and weÕll give you the scoop.Ó
I waited until he let go of the intercom before I spoke. ÒHow did you know?Ó
He smirked. ÒI counted the syllables.Ó
Two cigarettes later, Beaker was as deep in the weird shit as we were.
ÒSo thatÕs what we know,Ó I said, taking one last drag before I threw out my third. ÒNow what did you guys find out at the crime scene? And, uh, write it down as you say it.Ó
He pulled a pen out of a mug on his counter and a shopping list from beneath a fridge magnet before taking a seat at the table and flipping over the scrap of paper. Kermit and I took positions leaning over opposite shoulders.
ÒMeepMeepMeeeepmeepmeepmeepmeepmeepMeepMEEPMeepMeepmeepmeep.Ó He said, concentrating on the paper in front of him. When he moved his hand to start a new line, I caught sight of the words
Ligature marks on wrists & ankles
I knew what that meant. ÒSo she was held in captivity before she was killed.Ó
ÒMeep,Ó he confirmed, not lifting his eyes from the paper. ÒMeepmeep meepmeepMeepMEEPMeepmeepmeepMeep.Ó Under the previous line, he wrote:
Facial surgery extremely
recent—still bruising under skin and very visible scars
Kermit and I shared one of our looks. ÒBeaker,Ó Kermit started, Òdo you think that the surgery occurred during the girlÕs period of captivity?Ó I added hastily: ÒAffirmative or negative.Ó
ÒMeepmeepmeepmeep.Ó
ÒWhat about the felts?Ó I asked. ÒDo they have any marks indicating captivity or similar mutilation.Ó
ÒMeepmeepMEEPMEEPmeepmeepMeepmeepmeeepMEEEPMeepmeep.Ó
I waited until he had finished writing.
Unlike human victim, the felts had their
original clothes, even wallets. Checked with SwedeÕs guestbook—they ate
there that night.
Kermit cleared his throat. ÒSo, the girl was prepared for the murder for weeks, but the felts were crimes of opportunity. I think this crime is all about how the bodies were arranged.Ó
I balked. ÒWhat, that gruesome sculpture? ItÕs sick, sure, but we get stuff like that all the time. ItÕs just crooks showinÕ off, trying to make the front page.Ó
ÒI donÕt think so,Ó Kermit replied. ÒFor normal criminals, thatÕs what itÕs about. But this Alpha is in hiding. She wonÕt risk any extra attention with theatrics like those unless itÕs something important to her. Plus, I think what Fozzie said about the killer looking like the victim is significant.Ó
KermitÕs eye glinted. I took my cue. ÒSo, whatÕs the theory?Ó
ÒI think that our Alpha was trying to copy herself. Only she didnÕt know how, so she took the best guess she could: she got a girl that looked like her, cut her face until she looked like her even more, and then hollowed her out and put felt guts inside. Not a bad approximation of an Alpha, but apparently it didnÕt work.Ó
ÒNo kiddingÓ I muttered.
ÒMy guess is sheÕs gonna just find another look-alike and try again. And if that donÕt work, sheÕll find another and try again.Ó
ÒBut why?Ó I asked. ÒWhy is she trying to copy herself?Ó
Kermit shrugged. ÒYou heard Statler and Waldorf. SheÕs probably on the run from some rich family or another. With a body double, she could fake her death and be free of them forever.Ó
I pondered this. ÒAlright, letÕs get on the horn to missing persons. WeÕll tell them that our victimÕs had plastic surgery since she was kidnapped a few weeks ago. We check out any hits and then see if any of them lived near the SwedeÕs place. Our killer is probably hiding out in some abandoned building in between the two locales.Ó
Something about what I said seemed to strike Kermit as noteworthy. ÒWhere did Statler & Waldorf say they found their Alpha?Ó
ÒNorthern part of the industrial district, I think.Ó
ÒGod damn it. Call the tavern and get those two to give you an address. The SwedeÕs set up at the southern edge of the Clacks. ThatÕs less than four blocks from there.Ó
ÒNo Alpha can resist the allure of an ice factory, right?Ó I asked sarcastically.
ÒRemember when I said that felts have a stronger intuition than humans? Well, it ainÕt bullshit. Now, weÕve got a hell of a coincidence and my hunch to go on, but if youÕd rather sit here and wait a week to hear back from missing persons, go for it. Me? IÕm checking this one out. So either call the tavern, or give me the phone so I can do it.Ó
The tension was destroyed by a gentle ÒMeeeeeeeeepmeepmeepmeepmeepmeepÓ emanating from BeakerÕs hunched figure. Drool trickled from the corner of his mouth.
ÒFine,Ó I relented. ÒWhat was the number?Ó
***
The factory was a dilapidated wreck. Any windows that werenÕt broken were coated in a layer of rust leached from its corrugated tin walls.
ÒDo we have a plan?Ó I asked, as we lifted the heavy shutter that covered the loading dock entrance.
ÒShoot it until it dies.Ó Kermit said sagely. Good plan.
The interior was vast, and its only sources of illumination were the light of the streetlamps outside, filtered through grimy glass. We heard a noise coming from the foremanÕs office—a soft whimper, muffled by the dust choking the air. The dust served to quiet our footsteps as we ascended the metal staircase, but evidently not enough.
ÒYou can stop where you are,Ó suggested a sweet contralto whose source we could not place. Kermit hazarded another step. ÒOr not,Ó the voice continued, Òbut then IÕll have to set off the traps.Ó
We froze. ÒAll right, miss.Ó Kermit acquiesced. ÒWhat is it you want?Ó The muffled cries got louder.
ÒIÕd like you to forget this happened. IÕd like you to walk out of here with memories of an empty warehouse, another dead end.Ó I could now pinpoint the sweet voice to within the foremanÕs office, although it was difficult to be sure. It was perfectly in tune with the acoustics of the factory, and seemed to reverberate all around the dusty cavern.
ÒThatÕs not possible.Ó Kermit said defiantly.
ÒFine. Then IÕd like for you to wait there quietly while I finish my work.Ó The whimpering. SheÕd already found another doppelganger.
ÒYou donÕt have to do this!Ó I cried. ÒThere are people who can protect you from your former masters!Ó
ÒHa!Ó a humorless laugh boomed out from the office above us. There was a sound like someone screaming through a pillow, or from several rooms away. ÒNone can protect me from them. They have eyes everywhere.Ó
ÒThere are people who can help you!Ó I pleaded. ÒThe Quorum can hide you from your enslavers! You can be free among your own kind!Ó
There was a pause. The cries ceased. ÒJust who do you think IÕm running from, officers?Ó
My eyes locked with KermitÕs. ÒThe humans who owned you?Ó I offered weakly.
Another soulless chuckle. ÒI got rid of most of them decades ago. I have much bigger problems than the few dregs that remain. Say, why donÕt you two join me in here?Ó
Kermit nodded when I looked at him for affirmation. We finished our climb and stepped through the open doorway. The Alpha sat across a desk from us. Tied to its surface was the body of a young girl, surrounded my surgical tools. Her face had been cut to ribbons, and the Alpha was delicately reassembling the slivers of flesh.
ÒShe was quite ugly when I found her, although the bone structure was about right. SheÕs gonna be so beautiful once IÕm finished!Ó she said cheerfully.
Neither of us knew what to say. We let her continue. ÒLet me introduce myself properly. I was never actually given a name, but I suppose you can call me by human familyÕs surname, if you wish.Ó
ÒAnd that isÉ?Ó I prompted.
ÒKennedy.Ó She looked up and smiled as she said it. She really was quite beautiful. Even wrist deep in a mutilated body, her natural radiance overpowered my sense of horror and made the scene seem cute, like she was caught stealing cookies. Even the blood droplets on her cheeks looked like freckles in the dim light, further enhancing her charm. ÒTell me, what do you two know about the Quorum?Ó she asked innocently.
ÒTheyÕre a governing body for Alphas,Ó Kermit answered. ÒThey take in runaways and keep them out of the public eye.Ó
ÒEvery runaway that has been taken in by the Quorum is dead. The Quorum is actually an organization run by some of the oldest Alphas dedicated to solving our reproduction problem. Every Alpha they find is used as a guinea pig over and over until it finally dies of exhaustion.Ó
ÒReproduction problem?Ó Kermit jumped in.
In response, she looked out the foremanÕs window. ÒI was built on this spot, almost a hundred years ago. My creator burned along with his workshop when one of his customers wanted the record of their business together destroyed. Not an uncommon action, or so IÕve heard. Eventually, the art was lost and the Quorum was formed to try to rediscover it.Ó
ÒHow do you know so much about them?Ó I asked.
ÒBecause once I had escaped my human family, I came back here. I realized that I had nothing left to live for, and I thought it would be poetic to end my life where it had begun.Ó
Kermit had listened patiently thus far. At last, he spoke up: ÒSo youÕre Statler & WaldorfÕs Alpha.Ó
Kennedy smiled at Kermit. My heart burned with jealousy. ÒVery good, small one. Unfortunately, my own efforts and the aid of your friends was not enough to save me from the Quorum. Their doctors are very good,Ó she said bitterly. ÒOnce they had me, they would cut me open, study me, and let me heal until I was well enough for another round. They violated me in an effort to get me pregnant, cut pieces out of me to run tests on, tried giving me human parts. I endured it for years and even became their longest-lasting test subject. It was awful, but one day I got the chance to escape.Ó Kermit and I were captivated, but she didnÕt seem to notice. She continued with her work—breaking out a needle and thread to sew the girlÕs new face together.
ÒOne of the transport guards was deathly allergic to peanuts,Ó she added by way of explanation. ÒSo once I was free, I came back here one last time. IÕm going to get myself a body double and then IÕll give the Quorum an anonymous tip. And then IÕll be free.Ó
I couldnÕt believe what she was saying. I had known in the back of my mind she was crazy, but I still wasnÕt prepared for the logic-bending obsessiveness that it entailed. ÒHow are you gonna build an Alpha when the scientists in the Quorum havenÕt managed after decades of research?Ó I asked. Kermit shot me a warning look.
ÒAhh, thatÕs the thing!Ó Kennedy said enthusiastically. ÒItÕs because theyÕre scientists that they will fail. The original creators were doing this hundreds of years ago, without any of the technology that the Quorum so heavily relies on. Therefore, the answer must be fairly simple—theyÕre just too wrapped up in their theories to get their hands dirty and try something!Ó She looked up at me, her eyes glinting madly. ÒIÕm closer to the truth now than theyÕll ever be!Ó
ÒAnother thing,Ó I asked. I knew I had a sleeping tiger in front of me, but I couldnÕt help but poke it. Kermit shot me another look. There was fear in his eyes. ÒIf you do find the answer, why use it to go into hiding? Why not just give it to the Quorum? ThatÕs what this whole thing is about, right?Ó
She had nearly finished stitching the girl up. Her eyes wandered around the room as she began to come out of her delirium. When she saw Kermit and I, she started moaning. ÒHush now, dear,Ó Kennedy cooed. ÒYou wouldnÕt want me to mistake, do you? Then youÕll be ugly all over again!Ó Her voice changed, lost that saccharine quality and went back to her usual rich tone. I interpreted it to mean she was talking to me. ÒI couldnÕt do that to the other guinea pigs. If the Quorum knew the answer, theyÕd dispose of them immediately. Keeping them around will likely end in an uprising, and setting them free is inviting a war. At least now, death is not certain and escape is possible.Ó She grinned. She must think of herself as a saint, I thought.
ÒAll done!Ó she exclaimed, and reached for a mirror that was resting on a nearby stool. ÒWhat do you think?Ó she asked, holding it up in front of the girl. She leaned forward as far as the restraints would let her. ÒUNNNNNHHHNHNN!Ó she moaned. ÒOh, donÕt be like that!Ó the Alpha chastised. ÒThe swelling will go down, and in a week or so IÕll take out the stitches. Then IÕll give you a little time to heal up before your second operation.Ó She added conspiratorially:
ÒThat oneÕs a doozy.Ó
Kermit, who had been quiet for quite some time, spoke up at this: ÒThereÕs not going to be a second operation. I donÕt care what youÕve been through, but you have no right to do this.Ó
ÒSo impolite! I should let you know that the traps out on the stairs arenÕt the only ones in here.Ó
I stiffened. Kermit held his ground. ÒOscar may have told you the negatives about being bonded with a Snuffleupagus, kid, but there are a few perks.Ó Kermit said to me, his eyes locked onto a spot on the wall behind the Alpha. I followed his gaze, but couldnÕt make anything out.
ÒWhat are you talking about?Ó Kennedy asked sweetly. She turned in the direction we were looking.
ÒGukh.Ó
The Alpha slowly rose into the air. Four holes appeared in her chest, through which I could see the opposite wall briefly before her innards began to spill out. It was like Waldorf said: they spilled out quickly, but kept their cohesion. Some ran through the air diagonally and spilled across something before falling back to the ground. As more of her lifeblood spilled, the object holding her up began to gain definition. Four claws held her aloft, which were supported by an arm up to the elbow. The arm changed position, and she began to rise higher, until her back was flat up against the ceiling and her fluids spilled from above to trace the features of her attacker. It was big. The back of its skull protruded a good six inches too far. Its face was smooth, without any protrusions for eyes or ears or a nose. There was only a mouth, which was opened both vertically and horizontally to show the outline of a lower jaw divided into two massive lower mandibles. Not like the Count. Not one bit.
I suddenly felt Kermit shaking me. How long had he been doing that? ÒGrab the girl, kid! LetÕs get out of here!Ó I ran to the desk and lifted the girl beneath her neck and thighs, careful not to stare at the road map between her chin and forehead. As soon as I had gotten her off the desk, the Alpha slammed onto it, pinned through her left shoulder by a gore-defined claw. ÒCome back, little girl!Ó she coaxed sweetly. ÒI can make you perfect!Ó The young woman in my arms shut her eyes tight. I turned and started towards the door.
ÒWe can be happy together,Ó KennedyÕs voice had changed to a soft plea. ÒI know youÕre lonely. IÕm lonely, too. Ah!Ó A set of grimy claws began to widen the holes in her stomach, pulling out more offal. ÒI just need someone to protect me. Can you do that? For me?Ó
I kept walking, as fast as I could manage with the girl weighing me down.
ÒFine. Then how about we die together?Ó she asked. I turned to see her stick her hand into an open drawer, fighting the claw in her shoulder to grab something and hold it triumphantly aloft.
A gunshot sounded from behind me, and her hand fell to the ground, still clutching the detonator. ÒLetÕs go!Ó shouted Kermit. I carried the girl to the door as fast as my legs would take me, and took a last look back at its threshold. She was staring, not at me, but at the girl in my arms. She kept staring even after the beastÕs mandibles closed around her throat and severed her neck. Her juices shot from the wound violently and covered the Snuffleupagus. For the first time, I could see its full outline.
***
I work in the hills now. I took the transfer a month or so back. I told Kermit it was because of his Snuffleupagus, but that was only half the truth. I just donÕt want to work with felts anymore. Kennedy and her craziness, they rattled me up, sure, but it was what I saw as she lay dying that got me out of that ghetto for good. Once the SnuffleupagusÕs form was completely revealed, I could see the ropes going up from his body into the ceiling. When he turned to his left to look at me, I saw how the ropes on his left moved first, and then his body followed suit.
Maybe I need to use a metaphor here. When I was a kid, I fucking loved Super Mario Bros. I wasnÕt one of those kids that used the shortcuts to try to beat the game faster. I played through the whole thing every time; I wanted to drink in the whole atmosphere, you know? See everything there was to see in MarioÕs world. Then one day, a friend of mine tells me that the clouds were just recolored bushes. From then on, I couldnÕt see a tree or a bush without becoming painfully aware of the ersatz nature of that world. Somehow, that one little fact just destroyed the magic of it. I was completely disillusioned, to the point where I barely played the game after that.
Well, ever since I saw the Snuffleupagus, IÕve been noticing things. Maybe IÕm watching a movie, and Big BirdÕll move a certain way, and then I catch a glint of something, thin as fishing line, heading up towards the sky. Or IÕll be walking down the sidewalk with Kermit and I catch sight of our shadows, and it looks like there are sticks hanging from his arms, controlling their movement, but when I look at his body, I donÕt see a thing. Or one time I was playing keepaway with my felt landlordÕs daughter, and as I held her backpack above her head, I felt my arm snag on something for just a second. Then she got real embarrassed and ran inside and left her pack with me.
If these things happened just a couple times, IÕd think that maybe IÕm still a little shook up from the Kennedy case, that it was just nerves. But the harder I look, the more I find. ThatÕs why I got a transfer, why I moved to a neighborhood that most felts couldnÕt afford. ItÕs crazy, sure, barely a step up from those idiots that think the world began in 1969. Still, I canÕt help thinking about where all the strings and sticks and ropes lead to. What if all the felts are just avatars for another race waiting in the wings for their chance to take over? Worse yet, what if all the strings are being pulled by a single puppetmaster?