|
A Partnership |
by
Leah Wollenberg
It
was five in the morning when my cell phone rang. Just once.
Keep your phone on at all times. You must be
ready to assist your detective whenever they call.
The message on the small screen read:
Abrams,
Meet
me at the prefecture in 20 minutes.
-
A.B.
I tapped out a response on the tiny
keyboard and closed my eyes.
ok what happened?
I was just dozing off when the phone rang
again.
Abrams,
Be
here in 20 minutes.
-A.B.
Never
question your detective. Trust that they know best, even if you do not
understand their motives. They will reveal everything when they decide the time
is right.
can dead people wait
for coffee? I replied.
Abrams,
20
minutes.
-A.B.
I rolled out of bed, pulled on my pants,
and shoved my gun into its holster. Who the hell signs texts these days anyway?
I
walked into the police station and tried to put a somber look on my face, but Adam
darted out of some dark corner before I could get the expression arranged
properly.
ÒI
texted you twenty-five minutes ago.Ó We walked down the hall, Adam striding
purposefully forward while I tried not to knock any poor sleepy soul over in
his wake.
ÒI
know. IÕm sorry. Trust me, you donÕt want to see me this early without coffee.
I canÕt really, er, think.Ó
Adam
raised his eyebrow. ÒYou donÕt need to be able to think. Leave that to me.Ó
ÒOh
come on. This is a murder weÕre trying to solve. IÕd say the more people involved
who are able to think, the better.Ó
ÒWhat
makes you think itÕs a murder?Ó
I
rolled my eyes. ÒItÕs five fucking thirty in the morning!Ó
ÒWhich
happens every twenty-four hours. That is no evidence that a murder has taken
place.Ó
ÒWell,
was there a murder?Ó
ÒYes.Ó
ÒThere
you go then.Ó
Adam
sighed and shook his head. ÒAbrams, itÕs that kind of reasoning that earned you
your average score on the aptitude tests. Now hurry up. We have briefing with
the chief inspector. And seriously, leave the thinking to me.Ó
Your detective is your friend. Your lives
will depend on each from the moment you step into action. Remember that a
strong base of trust is essential if you want to succeed.
ÒMy
name is Jack,Ó I said quietly.
ÒWhat
was that, Abrams?Ó
ÒNothing.Ó
Detective
Rawlings sat behind his desk with a perfect replica of the somber face I had
given up on earlier. I tried my hardest not to yawn as he rose and extended his
hand.
ÒDetective
Bowing, glad you could be here so soon. Is this
Abrams? Good. Sit.Ó Rawlings looked at us in silence for a while, resting his
chin on his fists. ÒThis has come at a bad time— with the crime rate
rising, all of the more experienced detectives have their hands full. You did
good on that last case, Bowing, real good, so I feel confident about putting
you on this one, but some arenÕt so sure. You two are fairly new to the force.
Ó
Adam
nodded graciously. ÒTrue, I only joined five months ago. ItÕs natural that
there would be some . . . misgivings
among the old guard— I understand. If anyone questions your judgment, you
can tell them that the three highly successful years of working in a private
business, not to mention the two years as head of HarvardÕs Detectives Club that
I have under my belt werenÕt for nothing. You donÕt have to worry about
inexperience on my part.Ó His eyes darted in my direction. Bastard. Yes, Chief
Inspector, I spent the last few years working in a coffee shop that didnÕt make
it through the first month of the recession after graduating from San Jose State,
co-head of an on-campus acting troupe, I might add. No sir, I havenÕt had much
experience with this whole detective
thing, but thatÕs no big deal, right? ItÕs not like I have to think or
anything.
Rawlings
nodded at Adam. ÒGood. Well, here it is. Elizabeth Darrin was found dead at one
oÕclock this morning.Ó
Adam
bowed his head. Rawlings turned to me. ÒYou probably donÕt recognize the name. Miss
Darrin was—Ó
ÒA
brilliant detective and poster-child of the force who gave it all up without
warning to become an activist actress. I saw her in An Enemy of the People a few years ago. I think she was playing Elizabeth
Proctor in The Crucible this season. IÕm
sorry sheÕs gone. The world lost a good actress.Ó
Adam
and Rawlings looked at me in silence for a moment, like I was some sort of
precocious ten year old. I could tell Adam was going to make me pay for it
later.
Never interrupt a detective. They say
everything for a reason.
Rawlings
recovered with an ostentatious cough. ÒAnd a good detective. Though there are
lots of people who wonÕt miss her. Darrin left five years ago, and proceeded to
slander the force at every chance she got with The Atlas Players, a highly
controversial theatre group.Ó
ÒWas
this latest play she was in with Atlas?Ó Adam asked.
ÒYes,Ó
I said, without thinking.
Unspoken rule number one: The sidekick never
knows more than the detective.
Rawlings
gave me a hard look.
ÒPlease
continue, Chief Inspector, Ó Adam said, looking for all the
world like nothing had happened.
ÒShe
was found this morning by two other actors in Atlas, hanging from the ceiling
with a rope around her neck. The actors, who were spending the night at her
house so they could go to an early rehearsal together, cut her down and tried
to revive her, but it was too late. They called the police, and Elizabeth
Darrin is now undergoing a detailed analysis by the coroner. YouÕll want to get
down there to see what sheÕs come up with.Ó
Adam
nodded. ÒOne question first. Can we somehow rule out suicide?Ó
ÒWhen
the actors were questioned later, they said there was no way for her to have
gotten to where she was on her own. I havenÕt seen her yet, but the first
officers on the scene said she was fairly badly beaten as well.Ó
ÒAnd
of course they cut her down and trampled across the entire room before I got a
chance to observe the crime scene. Classic.Ó
Rawlings
gave a half grin. ÒAh, yes. Welcome to our life. Though I daresay youÕve dealt
with this problem before. Any more questions?Ó
ÒNo,
thank you. WeÕll head down to the morgue. Lets go, Abrams.Ó
We
walked a few yards down the hallway before Adam stopped and turned, practically
corning me against the wall.
ÒWould
you be so kind as to tell me how many more times IÕm going to have to remind
you that I am the detective and you are the sidekick? Because IÕd really
like to know when I can live without the fear of being embarrassed by you on a
daily basis.Ó
The
whole situation might have been funny, given the fact that I was almost a head taller
than Adam. But he had mastered the art of being able to look down on anyone, no
matter what their height. I took a step back and hit
the wall.
ÒEmbarrassed
by the fact that I just happened to know she was doing The Crucible with Atlas? Jesus Adam, I used to act! I know this
kind of useless shit!Ó
ÒFirst
of all, it was rude of you to interrupt the Chief Inspector. Twice. We say everything for a
good reason, remember? I think itÕs time you read The
SidekickÕs Manual again. YouÕre obviously a little rusty. And Abrams?
YouÕre on the force now. You call me Bowing, not Adam. You never hear me call
you John, do you?Ó
ÒProbably
because my name is Jack, you—Ó
ÒDetective
Bowing, shouldnÕt you be getting to the morgue?Ó
Rawlings stood in the doorway of his office, eyebrow raised.
ÒYes,
sir.Ó Adam turned and walked down the hallway, not looking back.
Never talk back to your detective. Remember,
no detective wants to work with a sidekick who questions their abilities, and
no detective wants to work with a sidekick whose last detective decided to drop
them.
With
thoughts of my paycheck planted firmly in my mind, I followed him down the
stairs into the cold air of the morgue.
ÒWas
she killed by asphyxiation?Ó Adam asked the coroner as he stood over the body
of Elizabeth Darrin, closely examining the bruises on her head.
Dr.
Sera shook her head. ÒThe noose was definitely post mortem; the marks on the
neck tell us that much. I have a feeling it was this,Ó she pointed to just
above the womenÕs hairline, where blood had matted the dark hair, ÒThat
finished her off. It took the killer a few blows to do the job, though.Ó
Adam
frowned. ÒShowing a lack of physical strength on the killerÕs part? Or perhaps
hesitancy?Ó
The
coroner nodded. ÒCould be. Interesting though, none of the blows are post
mortem. And then thereÕs the hanging.Ó
Adam
closed his eyes. ÒThe hanging . . . the killer made no attempt to make it look
like suicide, so what was the point? Symbolic?Ó
Dr.
Sera shrugged. ÒYouÕre the detective, Bowing.Ó
Adam
took a few minutes to examine the rest of the body, jotting down notes in a
small notebook. I remembered him bragging once that he only did it to help him
process the information—ÒI never look at them after the fact, of course.Ó
ÒIÕll
come back later today for the full autopsy report. HereÕs my number. Call me if
you find anything drastic.Ó
ÒSo
. . . where to next?Ó I asked as we walked down the hallway again.
ÒTo
her house. Here. We need to call and arrange meetings with all these people. Tell
them any time after nine will be fine.Ó
As a sidekick, you must take on the more
menial tasks assigned to detectives, phone calls, paperwork, etc.
I took the list he handed me. ÒItÕs not
even six thirty yet. No way any of these people are going to be awake.Ó
Adam
grabbed the list back. ÒFine. WeÕll call them after weÕve looked at the
apartment.Ó
Early
morning traffic and the fact that Elizabeth Darrin had lived on the other side
of town meant it took us about 45 minutes to get there. I said good morning to
the officers standing by the door. Adam just flashed his badge and headed
inside.
It
was a small place, built for one person, neat. Too neat,
really.
ÒFeels
like it should be, I donÕt know, something,
given that someone was beaten to death here only a few hours ago,Ó I said,
looking around at the living room. Part of the rope was still hanging from a
sturdy chandelier.
ÒThat
in itself tells us something. Wait . . .Ó
The
chair lay on the floor across the room next to a desk. One of its legs had been
broken off. I put on my gloves and kneeled next to it, examining the three
remaining legs.
ÒA
good strong blow with one of these . . .Ó
Adam
frowned and kneeled next to me. ÒBut it wasnÕt a strong blow. They had to hit
her multiple times.Ó
ÒDoes
that mean anything, though? What if they just wanted to beat her up? They might
not have even wanted to kill her.Ó
ÒI
know I told you not to think, but honestly Abrams, why would they accidently kill her, then hang her? When
they struck, they struck to kill. As for just wanting to beat her up, chances
are they would have been too furious to notice the second she died, so there
would have been post mortem blows if that was their intent.Ó He stood up and
glanced around the room.
ÒI
wonder if the missing leg is still here . . .Ó
We
searched the apartment, me looking under the couches, tables, and chairs, Adam
scanning the shelves and drawers. No sign. Adam eventually got on his knees,
looking for footprints, anything. When he finally straightened up, his
frustration was tangible.
ÒHere.
ItÕs nine oÕclock. Call them.Ó
The
Atlas Acting Company was a small group of ferocious and dedicated actors who
performed works dating from B.C.E to the 21st century, all with some
sort of political or societal message. I had seen them a few times before
onstage, and they had delved into the plays with an intensity and fearlessness
that was, if nothing else, impressive.
They
did not look remotely ferocious or fearless now. Four of the cast members sat
huddled together in the theatre, red-eyed and shaken. I looked at the list,
trying to match faces with names. Kayla Lee. Mark Albright. Brian Mercer. Linda
Dorray.
Adam
surveyed the small crowd with an obvious amount of distaste. ÒGood morning. IÕm
detective Bowing, and this is my sidekick, Mr. Abrams. I want to ask you some questions
regarding the death of Elizabeth Darrin.Ó
One
or two heads nodded.
ÒFirst
of all, who was it that discovered her body?Ó
ÒMe
and Kayla,Ó said Linda Dorray.
ÒKayla
and I,Ó Adam muttered, just soft enough to not be heard. ÒDescribe it.Ó
Linda
closed her eyes. Ò Me and Kayla,Ó (Adam flinched), ÒWere spending the night at
BethÕs place because we had a nine oÕclock rehearsal this morning, and she
lives so close to the theatre. We got to her house about one in the morning.
Beth had given us a key so we could let ourselves in if we were late, but the
door wasnÕt locked. We went inside and turned on the lights.Ó She stopped
there.
ÒWell?Ó
Adam said.
ÒChrist,
you know what we saw! Do I really have to spell it out for you?Ó
ÒYes,
actually, you do, seeing as you cut down the body before the authorities could
observe the scene exactly as the killer had left it.Ó I sighed and put my head
in my hand.
ÒWhat
the hell would you have done, asshole?Ó Kayla Lee
yelled.
ÒI
would have thought like a rational—Ó
Oh
no. That wouldnÕt do. ÒAdam, shut up!
IÕm sorry,Ó I turned to Linda. ÒHe wouldnÕt understand. He doesnÕt have any
friends.Ó
There
was a moment of silence. Linda wiped at her dry eyes, and I could tell Adam was
looking at me slack jawed. I stared evenly ahead.
ÒI
know itÕs hard, but please, we need to know exactly what you saw.Ó
Linda
nodded, glanced at Adam, then faced me. ÒWe turned on
the lights. She was hanging from the old metal chandelier in the living room.
Have you seen her house yet? Well, someone must have put her up there, because
there was nothing there to suggest she did it herself. There was a chair with a
broken leg on the other side of the room. We got a chair from the table and cut
her down. We were too late.Ó
Adam
seemed to have recovered somewhat. ÒWas there anything out of place in the
house?Ó
ÒBesides
the broken chair, no, not that I saw.Ó
ÒDid
you touch or move the chair?Ó
Linda
looked at him with narrowed eyes. ÒNo.Ó
ÒMs.
Darrin joined the theatre about five years ago, correct? Under what
circumstances?Ó
ÒMark,
wasnÕt it you who met her?Ó
Mark
Albright nodded. ÒWe met in a coffee shop. It was a small place and we were
both pretty down, my wife was gone, Beth was out of the job, so we got to
talking, hit it right off. I asked her what she did,
she said that she had just quit the force. We were doing an original play where
the force was one of the main antagonists, and I wondered if she would give us
a hand with it, no pressure or anything. She said that as it happened, she was
feeling pretty bad about the force and her own involvement in it. It took some
convincing, but one thing led to another, and she was one of us.Ó
ÒDid
she ever say why she became so disillusioned with the force?Ó
ÒWe
asked. She never said anything specific. We just assumed it was something
general, not one thing that tipped it over the edge. I didnÕt want to pry, you
know?Ó
ÒDo
you know of any enemies she might have had?Ó
Brian
Mercer gave a mirthless laugh. Mark Albright looked sad.
ÒThat
poor woman would have had enemies on every front. She was on the force for god knows
how long. You of all people know that enemies are pretty much a guarantee in
that job. Then she left the force and joined us, so the law hated her as well
as all the people who think weÕre too radical. I donÕt envy the position she
was in.Ó
ÒNo,
IÕm sure. No specific enemies though?Ó
Everyone
shook their heads.
ÒIs
there anything else, strange behavior, absences,
anything out of the ordinary that happened? Not just in the last couple days,
but in the time you knew her?Ó
More head shaking. ÒBeth was always pretty . . . I donÕt
know, introverted? Not unfriendly, but not the kind to spill her heart out to
anyone,Ó said Brian Mercer. ÒI guess she saved it for the stage.Ó
ÒWell,
thank you for your time. If you remember anything else, call me.Ó Adam handed
them a card and turned to leave. I hesitated.
ÒWhoÕs
going to play Elizabeth Proctor now?Ó
The
actors glanced at each other, as if this aspect of DarrinÕs death hadnÕt
occurred to them. ÒWe havenÕt even gotten to considering that,Ó said Mark
Albright. ÒIÕm always trying to get my son to understudy, but IÕm not exactly
sure heÕd go for this role.Ó
A
few ghost smiles flitted across their faces.
ÒGood
luck,Ó I said. ÒHereÕs my card, just in case BowingÕs phone is, er, busy.Ó
More
ghost smiles. I followed Adam warily into the parking lot.
ÒYou
can stop looking at me like IÕm going to bite you, Abrams. I understand the
reasoning behind your little outburst. IÕll admit, if
I have one failing, itÕs that I donÕt interact well with the masses. I guess I
should thank you for rescuing that situation. YouÕre acting was Oscar worthy.Ó
ÒRight
. . . Ó
ÒYou
arranged the meeting with Irene Conway?Ó
ÒI
called her twice. She didnÕt pick up. I left a message.Ó
ÒWeÕll
go by her house and see if she is there anyway. It will be a pleasant
surprise.Ó He chuckled and got into the car.
I
frowned. The only possible pleasure I could imagine Irene Conway deriving from
our visit would be the knowledge that Elizabeth Darrin, her former colleague
and the woman who had made five years of her life miserable, was dead.
HereÕs
how the public detective force is set up, in a nutshell. Upon signing up for the
job, you take a test that determines whether youÕll spend the next five years
as a detective or a sidekick. Once this is decided, you spend the next two
months or so in training, and if you make it through that, you get assigned
either a detective or a sidekick. Every detective has a sidekick, no
exceptions. A detective can ÒdropÓ a sidekick for pretty much no reason at all,
From what IÕve seen, nothing short of sexual harassment will get a sidekickÕs
request for a new detective granted, and thatÕs usually because the detectiveÕs
contract has been terminated. So, if youÕre a sidekick who doesnÕt jive with
your detective, tough. ItÕs your job to suck it up for five years until your
contract is up.
Such
was the case with Elizabeth Darrin and Irene Conway.
We
parked in front of an old building that didnÕt exactly look like it was up to
the latest earthquake standards. Adam looked at the address on the list and
buzzed the ninth apartment. Nothing. He buzzed it again. We waited.
Footsteps.
And the door opened to reveal a woman in her early forties. She had a hard look
about her, like someone who had lived exposed to the elements, and had perhaps
suffered for it. She stood still, blocking the doorway, regarding us coolly,
animosity practically wafting off of her.
ÒYes?Ó
ÒMs.
Conway. My name is Detective Bowing. My sidekick Jack Abrams and I are here to
ask you a few questions about Elizabeth Darrin.Ó
Irene
snorted. ÒWhat she gone and done now? Died?Ó
Adam
and I glanced at each other.
ÒYes,
actually.Ó
Shock
registered on her face, but a second later it was gone. ÒWell ding dong the
witch is dead. Sorry I canÕt help you boys, but I havenÕt seen Darrin in five
years and I have a pie in the oven. DonÕt invite me to the funeral.Ó
The
door slammed in our faces. I looked at Adam and burst out laughing.
ÒWhat
the hell is so funny?Ó He hissed in a voice that said he was
taking this whole day very personally.
ÒWell,
your face a second ago was just about the greatest thing IÕve ever seen. DonÕt
ring again numbnuts, sheÕs not going to talk to us. Lets go back to
headquarters and see if Dr. SeraÕs found anything interesting.Ó
But
the last insult had gone too far. Adam pushed brusquely past me and got into
the car; when I pulled on the passenger door, it was locked.
ÒYou
are such a fucking baby,Ó I muttered as Adam gunned the accelerator and zoomed
away.
I
sat down on the curb, just far enough away from the apartment building to be
out of sight, trying to figure out what the hell to do next. Go back to head
quarters. ThatÕs what The Manual would
say. I shook my head. Not an option. I could go to DarrinÕs house again, just
to take another look around. Again, not really an option seeing as Adam might
have headed there as well. I could go home, but somehow that didnÕt quite
appeal to me either.
A
door opened down the street. Irene Conway stepped out and started walking away
from me down the road. I smiled. Maybe she wouldnÕt talk to a detective . . .
Irene
marched pointedly to FergusonÕs, a sort of bar that worked hard to hide its
seedy nature behind the veneer of a coffee shop. I hovered outside the window, realizing
that following her might come across the wrong way. Ah, well. Too late for that now. I opened the door and slipped in.
FergusonÕs
was long and narrow, and the farther back in the room you went, the shadier it
became. People by the front windows sat sipping tea and coffee and chatted in
an amiable sort of way. Those few hunkered down near the far wall looked like
the last thing they wanted was amiable conversation, but that was were Irene
Conway sat, so that was where I headed.
ÒMs.
Conway?Ó
She
looked up, and practically gasped in indignation. ÒChrist, did you actually
wait outside my house for an hour to follow
me here? What kind of a sick- whereÕs that damn detective? Did he send you so
we could have some sort of sidekick heart-to-heart? Fuck, this is ridiculous!Ó
She got up to leave. Several of the other customers stared.
I
backed up to give her space, but didnÕt move completely out of the way. ÒOk,
first of all, I waited outside your house for an hour because Bowing got pissed and decided to leave me stranded. I have
no idea where he is and I couldnÕt care less. It didnÕt occur to me to talk to
you until I saw you walking out of your house. I get that following you was
kind of creepy and believe me, I understand that the last thing you want to
talk about is Elizabeth Darrin, and I apologize. But someone killed her, and as
much as you hated her, I donÕt think it was you. I, for one,
want to find out who it was, not for me, not for Darrin, not for Bowing, and
certainly not for the force, but because a crime was committed, and someone is
responsible. Please. I need your help.Ó
She
sat back down, slowly, and didnÕt say anything for about thirty seconds.
ÒWhyÕd
he get so mad at you?Ó
ÒI
laughed at him when you slammed the doorÓ
Irene
Conway chuckled. ÒDarrin did something like that to me once. I put salt instead
of sugar in her tea the next morning.Ó
I
sat down across from her. ÒI might just do that next time Adam sends me to get
him coffee. Not to mention all the other surprises I came up with in the last
hour.Ó
She
nodded. ÒAs much as I would like to help you, and yes, I would help you if I
could, I really donÕt think IÕll have any useful information. Darrin kept a lot
to herself. Most of the things she said to me were for the sake of rank pulling
and being a bitch.Ó
ÒI
understand. Anything could help. Do you have any idea why she quit?Ó
Irene
shook her head ruefully. ÒThatÕs the greatest mystery of all, isnÕt it? She
sure as hell never told me. One day she was investigating a blackmail case, the
next day she handed in her resignation, and the next month she up and joins an
acting company. Definitely not the Darrin I knew.Ó
ÒDid
you ever get in contact with her after she left?Ó
ÒIf
Bowing quit tomorrow, would you seek him out? I was too busy thanking my lucky
stars to bother puzzling out that womanÕs mind.Ó
I
nodded, thinking. ÒYou said she was investigating a blackmail case. What was
that all about?Ó
Irene
sat back, eyes closed. ÒThat case was coming at the end of my contract. I had
worked with Darrin for five god-awful years, and we tried to have as little as
possible to do with each other at that point, so I really donÕt know any
details. All I remember is that it started out as a pretty standard case, with
Darrin being a genius and telling me nothing but the fact that she was close
and that another success was imminent for the forceÕs golden girl and that
really, this case was beneath her, and then something happened. I guess I over
simplified a minute ago; a few days before she left the force, she went funny.
She wouldnÕt tell me what went wrong, but it was obvious something was
bothering her. I thought she had hit a dead end in the case, but, like I said,
she kept her mouth shut about it. The day before she resigned, she went in to
talk to Detective Clarence. He still on the force?
Yes? Well, this was nothing unusual. TheyÕd known each other for years. I think
Clarence was her only friend, really. I have no idea what passed between them,
but if you really want to know why she left, heÕd probably be the best one to
talk to.Ó
I
sat back, trying to process this information. ÒDo you have any idea who could have done this?Ó
She
sighed again. ÒToo many, none more likely than any others. I think the files at
headquarters would be more useful than me in that department.Ó
I
looked at my watch. It was a quarter to one. I had been awake for way too many
hours today. ÒWell, thank you for your time. If you remember anything else,
hereÕs my number. Just one last question. Do you know
what play she was rehearsing right now?Ó
Either
she was a very skilled actress, or she looked very confused. ÒNo. Why do you
ask?Ó
ÒJust
wondering. Thanks again.Ó I got up and turned to go.
ÒJack.Ó
ÒYeah?Ó
ÒHow
exactly did she die?Ó
I
looked her straight in the eye. Ò She was hit in the head repeatedly, then hung
by her neck from a chandelier. They say the hanging was post mortem. I—
well, IÕm sorry.Ó
She
nodded. ÒPoor Darrin. When I knew her, she didnÕt really know how to be a human
being. I hope that changed at some point.Ó
I
made my way leisurely back to the headquarters, sauntering into AdamÕs office
around two. He looked up from his work with a gloat, which I effectively wiped
away by telling him I had had a nice chat with Irene Conway, and no, I didnÕt
really feel like telling him what she had said, because walking all the way
back here had left me beat, and he really should have thought of that before he left me four miles away from HQ
with no car. He quoted some regulation that could have me in handcuffs Òa lot
faster that you can walk,Ó and I eventually gave him the information Irene had
given me.
ÒIÕm
putting her high on the list of suspects at this point. We could have her
arrested for withholding information at the very least, then sheÕd have to
talk.Ó
ÒI
honestly donÕt think she was withholding information, at least when she was
talking to me. And IÕm even more certain she didnÕt do it.Ó
ÒAnd
upon what evidence are you basing this assumption? The fact that she is a
comrade in arms in the order of obnoxious sidekicks?Ó
ÒNope.
She didnÕt know Darrin was scheduled to be in The Crucible.Ó
Adam
looked at me incredulously. ÒWhy is that at
all relevant?Ó
ÒBecause
Darrin was hung after she was beaten to death. Do you know The Crucible? No? Well, itÕs about the Salem Witch Trials, and
people being hung as witches. Her character is accused of witchcraft. IÕd be willing
to bet whoever killed her was making some sort of reference to the play. YouÕre
the one who always says thereÕs no such thing as a coincidence.Ó
Adam
was quiet for a full minute.
ÒI
want you to get me a copy of The Crucible.
On your way back here, check to see if Clarence is in his office.Ó
ÒSure
thing bossman. Want some coffee with that?Ó
ÒDetective
Bowing. IÕve heard good stuff about you. IÕm glad this case is in capable
hands.Ó
ÒWeÕre
doing our best, Detective Clarence. You and Detective Darrin were close,
werenÕt you?Ó
Clarence
sat down at his desk, motioning for us to do the same. ÒBefore she left the
force, she was one of my closest friends. IÕm very . . . well, honestly, I
donÕt really know how to feel about her death. Sad. Very sad.Ó
Adam
nodded. ÒUnderstandably. Now, to business. Irene
Conway said you spoke with Darrin the day before she resigned. I know this may
be personal, but what passed between you two in that conversation?Ó
Clarence
looked down. ÒShe was acting very strange. Something was bothering her about
the blackmail case, but she wouldnÕt tell me what it was. She just kept
alluding to the fact that she was losing her faith in the force. Again, no reason, just mutterings. I released all of this
information in an official document to the Chief Inspector. IÕm sorry, I really donÕt know anything more. I donÕt even know
who was being blackmailed.Ó
Adam
looked annoyed. ÒIs there anything else, any theories, any people anything you can give us?Ó
Clarence
looked him right in the eyes. ÒNo. IÕm sorry, Bowing.Ó
ÒDo
you know what play she was rehearsing?Ó I asked.
Clarence
raised an eyebrow. ÒNo. I never go to the theatre. Why do you ask?Ó
ÒNever
mind. LetÕs go Abrams. Detective Clarence, thank you for your time.Ó
Adam
and I spent the next few days in pile of papers that just got bigger as
secretaries brought us the information on every case involving Elizabeth Darrin
on record. We took down the name, number, address, sentence length, family
info, and crime of everyone whose conviction she had been involved with. We
made calls. We made visits. We interviewed all the actors again, individually
this time. And the volume of information we had to sift through seemed to
expand by the minute.
The
file on her last case was equally frustrating. A woman named Alice Holdsworth had been blackmailed for some affair she had had
at the beginning of her marriage. She had come to the police in hopes that they
could find the blackmailer and keep the secret from her husband. Darrin had
been unable to find the blackmailer, the husband found out, and Alice Holdsworth had committed suicide. Her husband had moved to
the East Coast. When we talked to him, he said he had never talked to the
police about it— it was suicide, and that was that. Someone told him a
friend of hers had tried to follow up, but they hadnÕt been in touch about it.
No, he didnÕt know which friend. He had moved to the East right after the
suicide to try to sort his life out with his parents in New York.
By
the beginning of the next week, we had made it through the last file.
ÒWell
hallelujah,Ó I said, sitting back in my chair and closing my eyes.
ÒWe
should look at some of the other cases from around the time she left. The other
cases from that time might tell us something about why she left.Ó
I
sat up. ÒAre you serious.Ó
His
head dropped into his hands. ÒDammit Abrams, IÕm
grasping at straws here! I know IÕve told you instincts are unreliable, but
every cell in my brain is screaming that whoever killed Elizabeth Darrin was
somehow involved in that last case and we know next to nothing about it! If we
have to look through more useless files to get that information, then so be it,
and youÕre going to help me because I know your instincts are saying the same
thing.Ó
Nothing
but this uncharacteristic admission and the fact that he was right got me out
of that chair and down into the main file room. Daylight faded, and night began
to edge towards the early hours of the morning, but we kept looking. The cases
swirled together. In this room was nothing but a cesspool of the worst of human
nature; one horror story after another flashed before my eyes. Maybe Darrin had
just become sick of it all. Maybe her departure was nothing but a realization
that she couldnÕt bear to see another person cut to pieces or another family
torn apart by poverty and drugs. Maybe her hard personality was a shell to
protect against the atrocities she had to delve into on a daily basis.
And
then Adam let out a yell. Not of fear, not of triumph, but of shear surprise.
ÒAbrams,
Abrams look!Ó
I
practically jumped out of my skin. Adam was waving a file in front of my face.
ÒWhat?
Hold it still!Ó It was a missing persons case, unresolved, dating from February
2005, a week after Darrin had quit. The name on the file was Marina Albright.
Mark
AlbrightÕs voice called out from my memory. ÒWe
were both pretty down, my wife was gone, Beth was out of the job, so we got to
talking, hit it right off.Ó
ÒCall Holdsworth.
Ask him—Ó
ÒIf
Marina Albright was a friend of his wife, yeah, I get it. You know, itÕs about
2:30 in the morning in New York right now. HeÕs not gonna be happy.Ó
Mr.
Holdsworth picked up the phone only after we called
the number three times.
ÒJesus,
its two in the morning! What the hell is going on?Ó
ÒHi,
sorry about that. This is Jack Abrams calling with the California Detective
Force. Was a woman named Marina Albright a friend of your late wife?Ó
ÒYeah,
they were practically like sisters, what the hell is—Ó
ÒWell,
thank you for your time! Sleep tight!Ó I hung up and nodded to Adam.
ÒGet
Mark AlbrightÕs address from my drawer. IÕll get the car. Meet me outside in
two minutes.Ó
The
quick and easy confession of Mark Albright to the Murder to Elizabeth Darrin
took everyone by surprise. Adam and I listened to it all as he sat in an
interrogation across from Rawlings. His voice was hollow. Vacant.
ÒWhen
Alice Holdsworth was being blackmailed, the first
person she went to was my wife. Marina encouraged her to go to the police, told
her she couldnÕt let herself be taken advantage of. But the detective on AliceÕs
case showed up one day after about a week of investigation and said she
couldnÕt help her. Just that, point blank. Alice told
Marina and I what had happened. Marina told her to stay strong, but the next
day AliceÕs husband found out about the affair, and Alice killed herself.
Marina stormed into the police building, saying if the force couldnÕt figure
out who had blackmailed Alice, she would hire a PI who could. Two days later
she was gone. No one knows what the hell happened to her. But I knew that if
that damn detective had just found that blackmailer in the first place, Marina
would never have had to go stir up trouble on AliceÕs behalf. She would still
be here today. So I found out who had been on AliceÕs case. I tracked Darrin
down. I was too distraught to do anything at the time, but I made sure that
weÕd be working in close quarters so that when I was ready to take revenge, I
could. And I did.Ó
All
around, detectives were coming up to Adam and slapping him on the shoulder,
telling him he had done a great job, that he was going places, that his was
doing good in the world. He acted with gracious modesty, eventually excusing
himself from his admirers and heading to his office with the ugliest,
smuggest look I had ever seem.
ÒWell,
Abrams, the job is its own reward, but it is nice to know that your peers
appreciate your work. As well they should. Ah, Detective Clarence! What do you
make of all this, then?Ó
I
shook my head in disgust and walked past them out the door.
I
didnÕt sleep well that night. Or the next few after that.
Details kept flitting through my mind, sticking out like a sore thumb, making
me irritable and preoccupied. Even Adam noticed.
ÒAbrams,
if you put salt in my coffee again, IÕm going to think itÕs on purpose
WhatÕs
bothering you?Ó
The
fact that he was showing a glint of humanity didnÕt help. ÒOh just everything.
Starting with your stupid obsession with calling everyone by their
last name. Do you call you mother Bowing too? Or does she get a Mrs.?Ó
Adam
sat down. ÒIÕm used to your sarcasm by now, but ever since AlbrightÕs
confession, the insults have become more and more wild and unprovoked.Ó
He
waited for me to respond for a minute, then sighed and
said, ÒIÕve read The Crucible several
times now. I must admit, AlbrightÕs decision to hang
Darrin was a bit . . . heavy handed. Elizabeth Proctor doesnÕt even die at the
end of the play.Ó
I
said nothing. Adam watched me for a while, then looked
away. ÒYou donÕt like me very much, do you?Ó
ÒNo.Ó
ÒThen
why do you want me to call you Jack?Ó
I
was silent for a while, trying to find the right words. ÒÔBecause itÕs my
name,ÕÓ I quoted eventually. ÒÔBecause I cannot have another in my life.ÕÓ I
paused again. ÒÔBecause I lie and sign myself to lies.ÓÓ
Adam
looked at me, confused.
ÒI
donÕt think Mark Albright killed her.Ó
He
snorted. ÒIs that why youÕre in such a funk? Abrams, he confessed. It all makes
sense, every loose end is tied.Ó
I
stood up. ÒNo, itÕs not. Why did he hang her? It was more
than heavy handed, it was stupid. She has plenty
of enemies, but hanging her effectively narrowed the suspect list down to those
who knew she was in The Crucible. And
thereÕs no way he was too distraught for five
years to kill her. Why now? He had all that time to get to know her, and if
heÕs any sort of human being, killing her would have gotten harder and harder
as the years went by.Ó
ÒWell,
heÕs obviously not Ôany sort of human beingÕ—Ó
ÒYes,
he was. When we talked to the other
actors, we asked them about each other, right? They all said he was the
sweetest guy in the world, just a smart, hard-working single dad. And no, that
doesnÕt mean they were covering for him and that theyÕre somehow all in on it,
because when we saw them the morning after Darrin died, they were shocked and
sad and horrified, and no oneÕs that good an actor.Ó
Adam
rubbed his temples. ÒNot that IÕm taking any of what youÕre saying seriously,
but are you suggesting that Albright had nothing to do with it?Ó
ÒOf
course he did! He confessed, right?Ó
ÒThen
what are you saying? That heÕs covering up for someone?Ó
ÒExactly.Ó
ÒWho
else has that much invested in DarrinÕs failure in the blackmailing case that
Albright would be willing to go to jail for?Ó
He
didnÕt need me to answer. I could see it in his eyes that he had realized the
answer to his question before he had even finished asking it.
ÒNo.
Not the son,Ó he whispered.
ÒWhy
not?Ó
Adam
stood up, pacing around the office. ÒWho— how would he have known?
Albright wouldnÕt have told him, would he?Ó
ÒI
doubt it, but what about the blackmailer? It would be the most effective way to
get rid of Darrin without having any actual blood on your hands.Ó
ÒWhy
would the blackmailer get rid or Darrin? She never knew who they were.Ó
Again,
I didnÕt say anything.
ÒWhy
wouldnÕt she have said anything if she knew . . .Ó He stopped pacing and stared
at me. ÒNo. No.Ó
ÒIf
you spent your entire career working for justice and then discovered your best
and only friend was a crook—Ó
ÒThere
is no proof. None. There is nothing to incriminate him.Ó
ÒBut
it makes sense. Marina Albright goes raising hell in HQ and two days later she
goes missing. Her disappearance is never seriously investigated. Who else
involved in this whole web has that power?Ó
Adam
sat again, head in hands. ÒThereÕs no proof . . . no proof . . .Ó
ÒNot
yet.Ó
ÒHow
the hell can you prove that Detective Clarence blackmailed Alice Holdsworth, killed Marina Albright, and told her son that Elizabeth
Darrin was responsible for his motherÕs death? Even if itÕs
true, he would have been so careful. He knows all calls from HQ can be tracked,
and I doubt he would use his cell phone.Ó
ÒNo,Ó
I said with a grin. ÒBut take us. WhoÕs phone makes
all our calls?Ó
Adam
used all the influence AlbrightÕs arrest had given him to get Rawlings to force
ClarenceÕs sidekick to hand over his cell phone. We scrolled through all the
calls the phone had made together, the home and cell phone numbers of Jason
Albright on hand.
ÒThere.
There it is.Ó
Adam
sat down heavily, looking at the number on the tiny screen that proved Mark
AlbrightÕs innocence.
Rawlings
walked in the door. ÒYou ready to tell me why I just confiscated a seemingly
completely innocent manÕs cell-phone?Ó
Adam sighed. ÒYes, Chief Inspector. You
might want to sit down.Ó He looked down at his hands. ÒMark Albright is guilty
of nothing more than conspiracy. His son, Jason Albright, killed Elizabeth
Darrin when Detective Clarence called him on his sidekickÕs cell-phone to tell
him that if it hadnÕt been for DarrinÕs inability to turn in Alice HoldsworthÕs blackmailer, his mother would never have
disappeared. Jason went to DarrinÕs house in a rage, broke a chair, and used its
leg to kill her. He then called his father to tell him what he had done. Mark
arrived, and decided to hang Darrin, thus pointing any investigator towards
those who were involved in her acting life, like himself, and away from his
son.Ó
RawlingsÕ
mouth was slightly open by the end of the explanation. He shook his head and
said, ÒWhy on Earth would Detective Clarence—Ó
ÒBecause
Detective Clarence was blackmailing Alice Holdsworth.
Elizabeth Darrin figured it out, confronted him, but couldnÕt bring herself to turn
in her one and only longest friend. She left, disgusted with herself and the
force. Clarence knew he was safe only as long as Darrin kept quiet. He saw her getting
closer to the other actors in Atlas, saw that she was getting new friends and
wondered just how long heÕd keep his secret. As time went on, he knew that her
word would be more and more discredited. But then he realized there was a
simple way to get rid of her. All he had to do was tell Jason to avenge his
motherÕs death, and he would never have to worry again. You have Clarence and
his sidekick guarded, right?Ó
ÒYes
. . .Ó
ÒIÕm
sure Jason will confirm this, if you tell him it will incriminate the man who
is truly responsible for his motherÕs disappearance.Ó
Rawlings
rubbed his temples. ÒHow did you come to this conclusion?Ó
Adam
didnÕt look up. ÒAbr—Ó
ÒI
gave him a copy of The Crucible a few
days before the arrest. After he had read the play a few times, he realized a
few things didnÕt match up. There were loose ends with the hangings, which got
him to thinking a little more into Mark AlbrightÕs character. One thing led to
another, and he realized that the son was a much more likely candidate, which
got him investigating Clarence, and so on.Ó
Rawlings
gave me an exasperated look. ÒAbrams, do you make it point to interrupt
detectives whenever they try to talk?Ó
ÒSorry,
Chief Inspector. This is the first big case IÕve been involved with. I get a
little excited sometimes.Ó
ÒWell,
keep a lid on it in the future. Bowing, I see your reasoning. If youÕre right, youÕve
got a serious set of balls to look back on the faults in your own reasoning.
And if youÕre wrong, then at least you caught the right guy to start off with. WeÕll
book Jason and see if heÕll talk. IÕll keep you posted.Ó He stood up and left
the office.
There
was silence in his wake. We listened to the clock for a full minute.
ÒWhat
are you doing?Ó Adam whispered finally, as if Rawlings was standing right
outside the door.
ÒIf
you told them I had figured that Mark
Albright was innocent and Jason was the real killer and Detective Clarence is
crooked, you would lose your job right?Ó
ÒDonÕt
tell me you did that for the sole purpose of saving my job, because I wonÕt believe
you.Ó
ÒI
wasnÕt going to.Ó I sat down so I could look him directly in the eyes. ÒI have
four years and seven months left on my contract. HereÕs how those four years
and seven months are going to go. I will be your sidekick on paper and on paper
only. When we are working on cases, we will work on them as equals, and you
will treat me with respect and dignity. We will do the grunt work together, and
although you get the credit, you will pay attention to what I say and you will not do stupid, petty things like
stranding me in random places. And if you donÕt do what IÕm saying, then I will
go straight to Rawlings to tell him the truth.Ó
ÒHeÕll
never believe you.Ó
ÒActually,
he will, because IÕve recorded this entire conversation.Ó I pulled the ipod, with its recording advice out of my jacket pocket. ÒOh,
right, I forgot. You call me Jack, I
call you Adam. If weÕre around a bunch of other detectives, then last
names are acceptable. Otherwise, first names only. Sound acceptable?Ó
Adam
looked ruefully at my outstretch hand. ÒI see youÕve learned a thing or two
from our dear crooked detective.Ó
ÒComparing
me to Clarence is a clear breach of the agreement. IÕll let you off this time.Ó
ÒI
donÕt really have a choice, do I?Ó
I
sighed. ÒLook Adam. When I talked to Irene Conway, there were a scary number of
similarities between you and Darrin. Conway said that in the time she knew her,
she was never much of a human being. You donÕt want that to be you. I donÕt
want that to be you. We donÕt have to not like each other.Ó
Adam
sat motionless for a moment, then, slowly, he took my hand and gave it one firm
shake. ÒFine.Ó He pulled his hand back and looked at it as if he couldnÕt believe
what heÕd just done. ÒThough, if I may ask, if we are not detective and
sidekick, then what exactly are we?Ó
I
grinned at him. ÒAs far as I know, on this side of the law, we are the first
partners in crime.Ó