|
An Unsuspected Development |
by
Rachel Contopoulos
He was walking steadily around the
block once every ten minutes or so. His trench coat flapped violently in the
wind. Muttering angrily to himself, he looked up again and saw a tall, slender,
hooded figure heading towards him.
ÒJohn?Ó she asked in a strong,
confident voice.
ÒPlease call me Dennin.Ó
ÒBut John, IÕd prefer to be on a first
name basis. ItÕs more personal.Ó
ÒItÕs Dennin,Ó he corrected firmly.
ÒShall we?Ó He motioned to the nearby steps.
ÒHow do you know I live here?Ó Her eyes
narrowed.
ÒI have my ways. Look, youÕre late, and
I would much rather be elsewhere at eleven at night so either let me in, or let
me leave.Ó
She rolled her eyes and went to unlock
the heavy door. Following her up the brick steps, Dennin glanced in each
direction checking for passersby. No one was in sight. Two street lamps glowed
dully twenty and thirty-five yards away, and the park across the street was
quiet and empty. Reaching the last of the six stairs to the front door, Dennin
frowned. He preferred odd numbers. Even gave the false sense of balance and
perfection.
ÒYou can take a seat in the living
room,Ó she indicated a door down the hall, Òand IÕll be back with some coffee.Ó
ÒBlack,Ó Dennin said as he strode
towards the door.
ÒSorry?Ó
ÒI take my coffee black.Ó
She rolled her eyes again and turned into the kitchen.
Dennin sat on the black leather couch which faced the fireplace at a slight angle. Removing
his hat, he shook out his short, dark brown hair, but left his coat on.
The woman entered shortly, carrying two
steaming cups on a tray. She sat herself in an armchair across the coffee table
so that she was face to face with Dennin. She was no longer wearing a hood and
her fiery red hair hung down her back. Her face was thin and pretty, she had a
light layer of eyeliner and a hint of lip gloss.
Dennin guessed mid to late twenties. She had taken her jacket off and was wearing
a deep blue tank top over a pair of tight, dark jeans with black high heel
boots. The faint smell of cigarette smoke lingered on her.
ÒMy friend Melissa recommended you.Ó
ÒThatÕs great. But I donÕt know anyone
named Melissa.Ó
ÒYou worked for her about a year ago.
IÕm Jane by the way.Ó
ÒI donÕt really do names.Ó
ÒArenÕt you a charmer?Ó Jane said
sarcastically.
ÒLook, letÕs get down to business. Why
am I here?Ó
ÒMy brother, Sean, was killed in his
house two days ago.Ó
ÒArenÕt the police looking into it?Ó
She hesitated. ÒI donÕt trust them. I
think they would suspect I was involved.Ó
ÒWere you?Ó
ÒNo!Ó she flushed red. ÒIf youÕre not going to trust me, maybe IÕm just wasting
my time. Getting my hopes up.Ó
Dennin ignored her. ÒThen what would
make you a suspect?Ó
Jane looked him straight in the eyes.
ÒI was there when he died.Ó
Her green eyes blazed with intensity as
they met his deep brown ones, and though it rarely happened, Dennin was thrown
off for a moment. The sincerity with which she said it was unusual for your
everyday liar.
ÒWhy were you there?Ó he asked,
recovering quickly.
ÒI was just stopping by to visit. I
always try to at some point during the week.Ó
ÒDescribe what happened.Ó
ÒI went in the back door; he leaves a
key under the mat for me, which puts me straight into the kitchen. But I
usually have to go find him because he spends a lot of time in the darkroomÉÓ
ÒThe darkroom?Ó
ÒHeÕs a photographer. He had the
darkroom built in a few years back after he finished college.Ó
ÒWhereÕd he go?Ó
ÒGeorgetown, you know, in D.C. Later he
moved here to New York, but he still traveled a lot for work.Ó
ÒHeÕs your younger brother.Ó It was a
statement.
ÒWhat makes you think that?Ó Jane
asked.
ÒYou sound protective of him. ItÕs in
your voice.Ó
ÒYeah.Ó She smiled sadly. ÒBut I guess
I didnÕt do that well enough.Ó
ÒWhat happened when you got inside?Ó
There was a moment of silence which she gazed off, remembering.
ÒThe lights were all out, which made me
a little nervous since he would normally leave the light on for me. I moved
quietly into the hallway and called his name a few times. Then I heard a noise
from around the corner, which is where the darkroom is. I walked over, opened
the door andÉandÉI saw him. On the ground.Ó She fell silent and her lips
trembled as she fought to compose herself. ÒI ran over to him and grabbed him.
He was still warm, but not breathing.Ó She paused again. ÒI want you to find
out why he was killed.Ó
ÒOkay,Ó Dennin said, standing up and
putting his hat back on. He slipped a card out of his pocket and handed it to
her. ÒIÕll meet you at your brotherÕs house tomorrow at noon.Ó
Jane, startled by the abruptness of his
departure, glanced quickly down at the card. ÒThis is useless. It only has your
name, no number.Ó
ÒYou wonÕt need my number. Just take
the card. IÕll see you tomorrow.Ó
ÒOh, here, wait.Ó Jane stood up and
fumbled with her purse on the ground. ÒLet me write down the address.Ó
ÒNot necessary. Goodnight.Ó And with
that, he turned and left the room.
Jane followed him and locked the door
wondering how that asshole could possibly be a brilliant detective.
Dennin was pacing again. Apparently
that woman could never be on time. At quarter past twelve, a small green car
pulled up across the street and her flame red hair emerged. He glared at her.
ÒI know, I know. Sorry IÕm late,Ó Jane
said pulling out a key and unlocking the door.
Dennin scowled. ÒIs everything exactly
as it was?Ó
ÒYeah, I think so. I havenÕt been back
sinceÉyou know.Ó
ÒSo you didnÕt move the body?Ó
Jane flinched at the word. ÒNo. Melissa said I should leave everything in
place.Ó
ÒGood.Ó
She was leading him towards the back of
the house. They turned a corner and Jane stopped short.
ÒThatÕs the darkroom,Ó she said
pointing at the closed door ahead of them.
Dennin took a few steps forward. ÒWill
you be joining me?Ó he asked.
ÒI donÕt think I can go back in there,Ó
she said quietly.
ÒFine. IÕll be out in a bit.Ó
As he closed the door behind him,
Dennin paused for a minute to let his eyes adjust to the darkness. The red
filtered lights were dim, but the room itself was pretty big. It was about fifteen
yards long and ten wide. Multiple enlargers lined the walls on each side, there
were two cupboards in the back, and the center held a large wash bin and four
trays of chemicals. Dennin moved a step forward and his shoe squeaked and slid
on the linoleum. The floor was wet. Water, or some sort of liquid, was splashed
everywhere and had formed puddles in the dents where the floor was uneven.
The body was face down a few yards from
the central wash bin. Sean had been wearing jeans, a black t-shirt, a silver
watch and Adidas shoes. Dennin leaned down to get a closer look. SeanÕs nose
was crooked, probably broken, and there were traces of dried blood on his face
and in his hair. Purple bruises lined the sides of his neck, and small cuts ran
up and down his arms. His hair, violently red like his sisterÕs, was sticking
up at odd angles and was covered in a white powdery residue
which was also present on his face. Chemicals.
The small amount of blood on Sean
surprised Dennin because looking around the room, he noticed
dark stains on the walls and floor, just not as much on the body. Dennin stood
up and peaked into the wash bin. The water was murky and as it swirled around,
he saw hair floating in it. Moving around the body, Dennin followed the
trail of blood to the back of the room. The line of blood from Sean ended at
the second to last enlarger on the right hand side. Dennin reached out to
cotton swab a blood sample and his coat caught on one of the enlarger knobs.
With a muffled grinding sound, the station began to push inwards.
Dennin watched it shift. ÒInteresting.Ó
He stood facing a small, cramped room which was illuminated by a bright florescent light
hanging from the ceiling. Stacks of papers covered a cheap wooden desk in the
corner and maps of various countries and cities lined the walls. Sighing,
Dennin forced himself to turn away from his discovery as he went to find Jane.
ÒJane?Ó he called as he stepped into
the hallway. ÒJane?Ó
Getting no response, he turned the
corner and peaked into the kitchen. ÒJane?Ó
She was sitting on the ground with
tears running down her cheeks. After a moment, she blew her nose in a nearby
dishtowel and looked up. Her eyes were red and glassy, but somehow she managed
to look attractive anyway.
ÒYou remembered my name,Ó she mumbled.
ÒLucky guess. Look, I know you donÕt
want to go in there, but thereÕs something you need to see.Ó
ÒI donÕt want to s-see anything in
th-that darkroom again,Ó she managed to choke out.
ÒThis is important. And you wonÕt need
to look at your brother.Ó
Wiping her eyes and standing up
reluctantly, Jane followed Dennin back to the
darkroom. She cringed as they entered and stared pointedly at the wall until
they were well past SeanÕs body.
ÒDid you know about this?Ó Dennin
pointed at the brightly lit room.
ÒNo.Ó Jane stared at it in confusion.
ÒItÕs a mess.Ó
ÒThatÕs because someoneÕs already been
there. We need to go through this stuff and find out what your brother really
did for a living. Because I donÕt think this is normal for most photographers.Ó
Dennin walked over to the desk and
began opening drawers while Jane stood watching silently.
ÒAre you British?Ó he asked suddenly.
ÒNo. IÕm Irish.Ó
ÒRussian?Ó
ÒNo.Ó
ÒSouth African?Ó
ÒNo. Why?Ó
Dennin held up a handful of small navy
blue books. ÒYour brother has a lot of passports.Ó
ÒWhat?Ó Jane stepped over and
began rifling through them.
ÒHe was doing work for the government.Ó
ÒHow do you know?Ó
ÒIt makes sense. You said he went to
Georgetown, right in D.C., so he probably interned or was recruited while he
was there. ThereÕs no other way he could have all of these.Ó Dennin continued
leafing through papers. ÒItÕs going to be hard to find the information we need
in all of this, so start looking.Ó
After half an hour, Jane straightened
up clutching a thin, black briefcase.
ÒI found this behind the filing
cabinet,Ó she explained, handing it to Dennin.
He popped the clasps and slowly lifted
the lid. The inside was lined with thick foam which
protected the small screwdrivers, pliers, and batteries that filled the indents.
ÒSomethingÕs missing.Ó Jane pointed at
the long, empty gap in the foam.
ÒIÕll be back.Ó Dennin walked out of
the room and crouched down by the body. He carefully removed the victimÕs
silver watch and returned to Jane. He held out his hand.
ÒScrewdriver.Ó
Jane pulled one out of the briefcase
for him and Dennin went to work dissembling the watch.
ÒWhat are you doing?Ó
ÒJust wait. Pliers.Ó
She handed those to him too. There was
a faint click and he triumphantly held up a glass container. It was
filled with clear liquid.
ÒWhat is it?ÓJane asked, gazing at it
with interest.
ÒResearch.Ó Dennin slipped it into a
Ziploc bag and put it gently in his pocket. ÒAll of the papers IÕve found have
graphs and charts on them. Data. So your brother was some sort of scientist or
researcher for the government. What we found here is probably his most valuable
work.Ó
ÒWhy do you say that?Ó
Dennin sighed. ÒClearly he was hiding
it from his boss.Ó
Jane paused to consider that. ÒWhat is
it?Ó she asked again.
Dennin crossed the room and held up two
large, detailed diagrams.
ÒThese are guns,Ó Dennin stated.
Jane frowned at him. ÒObviously. And
obviously that little container is not a gun.Ó
ÒIÕm not finished. IÕve never heard of
either of these two guns which means they are restricted for government use
only.Ó
ÒAnd why does Sean have the designs?Ó
ÒBecause,Ó Dennin explained, Òyour
brother invents weapons.Ó
Jane scrutinized him. ÒSo that vial is
dangerous and youÕre just going to carry it around in your pocket?Ó
ÒSeems perfectly safe to me. Now, we
need to find out why your brother was killed. And as much as I love this room,
IÕd prefer to bring some papers to the living room and read there.Ó
Arms piled high with potential clues, they made their way to the front of the house. Having
settled down, Dennin began reading the top sheet on his stack. It was a report
about some new type of bullet for the U.S. Military. Dennin put it down and
looked up to find Jane surveying him.
ÒYes?Ó he asked in a falsely polite
tone.
ÒHow was Sean killed?Ó
He studied her for a moment. She was
biting her lower lip, but her eyes were calm and clear. ÒWhy do you want to
know?Ó
ÒI justÉI need to.Ó
ÒFine. ThereÕs blood from that secret
room to his body, so IÕve concluded that the fight started in there. Given the
mess, I would say Sean walked in on someone going through his stuff. They
fought. The other man must have had a knife because there are cuts on SeanÕs
arms. But thereÕs a lot of blood in there, so IÕd say Sean did a fair amount of
damage himself. Each side of his neck had bruising, so the attacker must have
tried to strangle him. I might have guessed that was the cause of death, but
SeanÕs nose is broken and there is white powder on his face and hair. A broken nose bleeds, yet there is hardly any blood on his face, so
it had to have been washed off. I am then left to assume that Sean was drowned
in the photography chemicals because as he lay on the floor, the chemicals would
have dried and the developer could then leave behind the traces of white powder
that I found.Ó
Mouth open, Jane stared at him,
partially in awe, and partially horrified.
ÒYou asked.Ó
Rearranging her face into a composed
mask, Jane picked up a paper and began reading.
As a second hour passed in almost
complete silence, Dennin stood up and stretched.
ÒIÕm going home to finish this,Ó he
announced.
Jane yawned. ÒOkay, me too.Ó
Gathering as many papers as they could
carry, they walked to the front door.
ÒIÕll be in touch,Ó Dennin said,
starting down the street.
Jane crossed the road to her car. As
she pulled out of her parking space, she checked her rear-view mirror for
Dennin, but he had already disappeared.
Sitting at home on his black-and-white
striped couch, Dennin sipped a beer and stared into space. He was missing
something. Letting the image of the darkroom fill his mind, he tried to figure
out what key point he had brushed over. Sean worked for the government,
researching and developing new weaponry. He posed as a photographer and used
his darkroom to hide his data and discoveries. Something happened and he was
killed, ironically drowned in his own chemistry. His own
chemistry. Dennin sat up straighter. Since the moment he had
discovered the concealed room, he had assumed SeanÕs photographer identity was
just a cover. But he had real chemicals set up, so he had to have negatives or
prints somewhere. DenninÕs thoughts raced around before settling on an
image of the cupboards in the back of the darkroom.
Jumping up, he snatched up the phone and dialed. The phone
rang seven times before a sleepy voice answered.
ÒHello?Ó
ÒJane, itÕs Dennin. We need to go to
your brotherÕs house again. Now.Ó
ÒWha-Why? Now? How did you get
my number? Dennin! ItÕs fucking two-thirty in the morning!Ó
Dennin smiled into the phone. ÒJust get
there. You have twenty minutes. And it would be remarkable if you would be on
time for once.Ó
ÒI hate you,Ó she said, and hung up.
She arrived twenty minutes late, which
Dennin figured was more to make a point than because she actually needed the
time.
ÒJane, how nice of you to come,Ó he
said pleasantly.
Jane didnÕt smile and Dennin noticed
circles under her eyes.
ÒThis better be good,Ó she said,
flatly.
Dennin walked quickly to the darkroom,
calling over his shoulder, ÒI assume you donÕt want to join me so IÕll see you
in a bit.Ó
It was clean. No body. No blood. Dennin
had called in a favor to get it all cleaned up, but he was nonetheless
surprised by how quickly it had been taken care of. Shifting back to the matter
at hand, he opened the cupboard door. A single strip of negatives hung from
clips at the top. Dennin grabbed it and left to show Jane.
She was curled up on the couch
sleeping. Not bothering to be gentle, he prodded her awake. Disoriented, she
sat up slowly.
ÒLook at these.Ó He held out the
negatives.
ÒWhatÕd you have?Ó
ÒNegatives.Ó
ÒI was looking for something a little
more helpful than that.Ó
Dennin frowned. ÒI canÕt see them very
well, but the pictures must relate to his work since theyÕre the only ones he
has.Ó
Jane squinted at the small panels. ÒWe
could put them in an enlarger so we can see them more clearly,Ó she suggested,
Òbut you should do that. I donÕt want to-Ó
ÒItÕs fine,Ó Dennin said grabbing her
by the arm and pulling her towards the darkroom. ÒItÕs been cleaned.Ó
ÒButÉwhat? How?Ó
ÒA friend.Ó
ÒButÉSean? I mean,
IÕm arranging a serviceÉÓ
ÒDonÕt worry about it. YouÕll have the
body back by then.Ó
ÒOkay. I guess. ThatÕs weird, you
know.Ó
They had reached an enlarger.
ÒAlright, letÕs have a look.Ó
Taking charge, Jane gently guided the
strip of negatives into a negative carrier which she
then put in the enlarger. She flipped a switch and the black and white image
appeared on the station. Focusing it, she squinted and tilted her head.
ÒI donÕt even know what that is.Ó
Dennin leaned in. ÒItÕs a contained explosion. And a very
powerful one. See those bold lines?Ó he indicated the bottom of the
picture. ÒThis test was run on a metal table, and it still did damage. Okay,
next one.Ó
Jane shifted the slides and a beautiful
building appeared.
ÒOh! Buckingham Palace,Ó she exclaimed.
ÒI was just in England last summer.Ó
ÒI know.Ó
ÒI feel like thatÕs an invasion of
privacy, but IÕm sure you donÕt care.Ó She changed the negative again.
ÒWindsor Castle, also in England. I
didnÕt even know Sean had been there.Ó
ÒYou didnÕt know a lot of things. Next.Ó
Jane glared, but reached out once more.
ÒYou know this one right?Ó
ÒOf course. ThatÕs The Palace of Westminster. ThatÕs where the House of Lords
and the House of Commons meet,Ó she answered.
ÒWell done. Now, we need to find out what England has to do with all of this.
Back outside. WeÕre looking through papers again.Ó
Jane groaned.
ÒPull out everything that mentions
Britain, England, or London, anything like that.Ó
At the end of an hour, they had found a total of five relevant papers.
ÒI have the layouts for all three buildings we saw in the photos,Ó Jane
volunteered.
ÒAnd these sheets compare the value of the dollar to the Pound.Ó
Jane joined him to look.
ÒWow, the dollar really sucks right now,Ó she commented. ÒItÕs just lovely that
weÕre still in a recession.Ó
Dennin stared at her.
ÒWhat? I was joking.Ó
ÒI know. And I just realized what this is all about.Ó He carefully extracted
the vial from his pocket. ÒWe have this,Ó he began, Òyou brotherÕs murder,
pictures of England, and a picture of an explosion. Your brother researches
weapons.Ó He shook the vial in front of her face. ÒThis is the weapon. And also
the thing he was hiding, so for some reason he didnÕt trust the government with
this kind of power. Why? Well, his boss must have asked him to develop a new
kind of bomb because this liquid explodes. He was a smart kid, clearly, and did
some research on his own. What did the U.S. want this bomb for? To destroy Britain. Which would effectively reestablish the
United States as one of the strongest countries.Ó
ÒHow would attacking Britain accomplish
that? War doesnÕt sound very profitable to me.Ó
ÒBecause, Britain would never expect an assault from its
friend and ally the U.S.A., so their leaders would then suspect the Middle
East. Europe is so connected that the Pound and Euro would lose value together
due to the war effort, and the dollar would once again be worth something.Ó
Jane paused for a second. ÒThatÕs ridiculous.Ó
ÒI know. But thereÕs no other explanation. Sean was protecting Britain from a
terrorist attack by our government with a weapon he designed.Ó
ÒAnd someone found out and had him killed?Ó
ÒYes. His boss probably didnÕt appreciate him refusing to explain how he made
the liquid.Ó
ÒBut then, what now? We have the only sample, not the government, so Britain is
safe.Ó
ÒIf only. Scientists record experiments, trials and errors. What papers are
missing?Ó
ÒThe ones about the liquid,Ó Jane gasped.
ÒI think itÕs safe to assume the U.S. is now in possession of a very
destructive bomb.Ó
ÒThen we have to tell someone!Ó
ÒI think the only people with enough influence to stop this already work for
the government.Ó
ÒWe can stop them!Ó The instant the words were out of her mouth, Jane realized
just how ridiculous they sounded. She looked at Dennin, waiting to be told how
stupid she was.
Instead, he smiled. ÒNow youÕre thinking.Ó
They had talked it over all night. Dennin had connections and they were going
to need to use all of them.
ÒIÕm just not sure I feel comfortable bombing a government building.Ó
ÒYou said it yourself. We need to stop them, and this is the only way,Ó Dennin
insisted. ÒAll I need from you is permission to use the vial. It was your
brotherÕs property, and now itÕs yours.Ó
Jane sighed. ÒI guess I donÕt have a choice.Ó
ÒNot if you care about the world.Ó
ÒThatÕs a wonderful way to put it,Ó she said sarcastically.
ÒItÕs true. Okay, we have the location of their headquarters from that letter
in SeanÕs desk. I have the bomb material,Ó he patted his pocket lightly, Òand
now, I have to go.Ó
ÒGood luck.Ó
ÒWeÕll need it.Ó
ÒHow will I know if weÕre successful?Ó
ÒRead the paper. YouÕll figure it out.Ó
Dennin turned and walked to the door.
ÒWait.Ó Jane walked over to him and kissed him hard on the lips. ÒThank you,Ó
she whispered.
Dennin pulled away, straightening his coat. ÒI expect my payment by the end of
the week,Ó he said as he walked down the steps.
Jane watched him go, and when she caught a brief glimpse of his face, she was
sure she saw a flicker of a smile.
Jane sat at her sunlit kitchen table, slowly poring over that morningÕs paper
just as she had every day since Dennin left. A small title in the corner of the
third page caught her attention and she began to read.
Practice Makes Mistakes
Yesterday an uninhabited island off the
coast of Hawaii erupted in flames. Islanders heard a deafening noise, looked
up, and saw smoke. The police were called and went to investigate. The military
was running a drill and testing new weaponry; that itÕs nothing to worry about.
But this brings up the question of safety and regulationÉ
Jane put the article down and sighed in relief, letting a grin spread across her face. She had to hand it to Dennin, he was good.