Warmth Sets Against the Muscles
And the Eyes Slope Downwards
by Tom Lee
Dusk rolls like
thunder, and there are gray clouds and gray wind and gray earth, and fog. And
the taste of rain. A sigh, someone understands. Take me angel of death, and
forgive me of my sins. For I have sinned, and seek salvation from anguish. The
taste of rust against the tongue, and the teeth itch against the coldness, but
itÕs numbing. Warmth sets against the muscles and the eyes slope downward.
There is a trickling, a drip, a drop. A smile. The wrong face.
¥¥¥
He takes his steps slowly across the
grass field, towards the taped off section where the dead body lies. The third
this month. ItÕs determined as suicide quickly, seeing as the girl as hung
herself. There have been more deaths in the past two months than in the past
two years. But unlike any of cases before, these deaths are all connected, and
its shown all too easily. All by a mark on the left temple, a dark splotch of
red ink, and a sticky note, deep yellow. These canÕt just be suicides, and heÕs
not the only one who thinks so. But he doesnÕt understand, and lets out a sigh,
irritated and disturbed. This one was a girl. Hung her self from a willow tree,
with the deep yellow sticky note. Reading the words ÒItÕs my motherÕs dressÓ
over and over, tracing each letter. He stares at the yellow note, itÕs edges
ruffled. ItÕs writing perfect and precise. And then stares at the girls dress,
and feels the texture between his thumb and forefinger. Old, worn, moist.
ÒObvious, itÕs
obvious. ItÕs her mothers dress. She killed herself because of her mother.
Ford! find out where this girls mother lives.Ó
ÒDo it yourself
detective, thatÕs a hasty assumption.Ó
ÒFord, IÕm asking
you for a favor. Just do it.Ó
ÒIÕm tired of favors
Nick, IÕm tired of them.Ó
ÒThanks Ford. YouÕre
a doll, a babe.Ó
ÒFuck off Nick.Ó
Nick steps against
the wind and turns his head so it lay angle with the girl now set along the
stretcher by the ambulance. Her face was covered up still, and he was not sure
what she looked like. Nick steps towards the girl, drops to crouch over her and
lifts up the heavy black covering. SheÕs young. Soft eyes and brown hair. Her
lips are blue and pale, and she looks tired, distraught. There are bruisings
around her neck, and as Nick asks around, he realizes no one has looked at them
further. SheÕs built gently, but not that gently, and the bruisings are too
deep and wide to be from the rope alone. He moves her jaw line, titling her
head by the chin to the right, and gets down on one knee to look closer. His
eyes widen.
ÒSheÕs been choked,
some one choked her. Ford!Ó
ÒWhat now Nick?Ó
ÒSheÕs been choked.
This isnÕt suicide.Ó
Nick doesnÕt believe
in heaven, and he doesnÕt believe in coincidence. He believes in murder, and he
believes in anger.
As Nick leaves the
campus green, and drives his dark blue car back to his office, he thinks about
the girl, about why someone would choke her to death and then hang her. There
were 8 suicide cases total, including the girl. They all had killed themselves
in specifics ways that were connected to the thing that drove them to suicide
and the thing they loved the most. Two opposites mixed in one move of death and
emancipation. But that changed, it changed it to something different, there was
chance of murder. Of force.
Sticky notes. Sticky
notes could be bought anywhere. As Nick walks into his office, brown walled and
dirty floored, he thinks over and over, tries hard to believe everyone else
assigned to the cases. He tries to believe itÕs not murder, that these people
are just killing themselves. But even that thought is horrible. HeÕs not one to
sit still, and before even sitting down at his desk, he walks right back out
the door and down Hopkins from his office Gioia. Someone is buying a lot of
sticky notes some where in Berkeley, and he needs to find out who. The
weatherÕs dark, and there are breaks in the clouds above, and small slips of
light jump through to the ground. ItÕs close to sunset. Nick gets his food to
go, and makes his way back to the office, grungy and brown. He lives alone, but
didnÕt used to. Used to love a family, a wife, a child. A small daughter. Not
anymore. Not ever again. Slouching into his chair, he forgets about the food
and sways into fantasy, titling his head to the ceiling, looking through the
window, thinking. HeÕs not going to let any more people die. He sees himself
cuffing the killer. His eyes crawl shut. The door closes quietly, and a shadow
that is not NickÕs rests across the floor. A second goes by. The door is opened
and shut once again. Only dreams cross NickÕs mind.
ÒYou know itÕs too
late, sheÕs with him now, itÕs been years. She doesnÕt need you, and hasnÕt
needed you, and she is laughing at his jokes, and touching his arms, and loving
the glance in his eyes, and youÕre an after thought, so small and insufficient.
Rejection, always rejection.Ó
ÒNo.Ó
ÒYes. You know what
you want now.Ó
ÒNo.Ó
ÒItÕs so simple, you
just take this note, and you put it in your coat pocket, and you die.Ó
ÒI
don't need it.Ó
ÒYou know, you know
youÕre nothing now. Take the note.Ó
ÒI just wanted...Ó
ÒI know what you
wanted, itÕs too late.Ó
Ònine years...Ó
ÒStop. You love how
they spread their wings.Ó
The phone wakes him
up. What time is it? ItÕs light out, must be dawn. When did I fall asleep? Nick
pushes his hair off his forehead, and yawns, tasting his dry mouth and feeling
his old legs. No sound, and then the phone starts picking itÕs way through.
Fourth ring, pick it up.
ÒHello?Ó
ÒNick, you need to
get up to Lawrence Hall, thereÕs been another suicide.Ó
ÒWhat? Who am I
talking to?Ó
ÒNick, itÕs Ford.
Come on, we need you to come up here, now.Ó
ÒWhat time is it?Ó
ÒItÕs 6:30, whyÕs it
matter?Ó
Ò6:30 in the
morning?Ó
ÒYeah, who gives a
shit, get in your damn car and get up here.Ó
ÒOkay.Ó
As he pulls up,
first light stretches across the sky, sun lying down across the tops of the
hills, working through the streets, down to the bay. Nick parks, steps out his
car. Amidst the din, uprising, spirals, ambulances parked halfway down the
hill, into the next parking lot, below where Ford stands. The edge, some one
jumped off the edge? ThatÕs almost too short a fall.
ÒNick, christ,
youÕre here. Male, 27, caucasian. He jumped. Must have done it around a half
hour ago. A janitor found him. There was another yellow sticky note.Ó
ÒItÕs murder. IÕm
telling you itÕs murder.Ó
ÒYou donÕt know that
Nick. No one was around to see it happen. That girl? Rope burn, IÕm telling you
itÕs rope burn.Ó
ÒWhat about the
forensic tests, what about those?Ó
ÒToo much bruising,
too hard to tell for sure.Ó
ÒThat just proves
she was choked. ItÕs in your face Ford!Ó
ÒWeÕre still not
sure.Ó
ÒThe sticky notes
Ford, the mark on the left temple! Connections!Ó
ÒThis one didnÕt
have a mark.Ó
ÒWhat?Ó
ÒThis one didnÕt
have a mark.Ó
HeÕs getting sloppy.
ThatÕs it. 10 murders deep, heÕs just getting sloppy. ItÕs getting to him, it
would get to me. Nick walks down to where the manÕs body lies in a crumpled
pile, underneath a white cloth tarp. He asks one of the investigators for the
sticky note. She hands it to him, looking concerned. He reads the words. This
doesnÕt make sense. Nick hears the woman's cellphone ring, and then instantly
above him he hears Ford calling his name, leaning his head over the edge,
shouting about another murder. Two in one day? Nick stumbles quickly up the
hill and into his car, and follows Ford. The sticky note is caught by the wind.
Only three words: I am coming.
The cars wind
through the Berkeley hills, down to Hopkins. So close to his office. All the
way through to Gilman and down to Talbot, where there are already two police
cars parked in front of the church.
The church was old,
and took up the entire block, from Talbot to Cornell. ItÕs doors were large and
wide and wooden, and inside the pews were smooth and lead to an center stage.
There was a table, and on that table, Nick saw the glass first, filling with
drops of blood. On the table, which looked hard and stable, was the impaled
body of a young man. Maybe around the age of 20. He strikingly resembled Nick,
and only though Nick thought this thought, that this was him 20 years ago, the
officers and investigators standing in the church knew that this man resembled
Nick.
ÒWhat does the
sticky note say Ford?Ó
ÒThere is no sticky
note.Ó
ÒThereÕs nothing?Ó
ÒThereÕs a picture.
ItÕs of your wife.Ó
ÒWhat?Ó
ÒItÕs a picture of
your ex-wife, when she was in college.Ó
ÒI donÕt
understand.Ó
As the ambulance
arrived, and the body was taken away to be identified in full and put on record
as the tenth death related to an unknown alleged murderer, Nick ran the picture
up and down his index fingers. It was an old picture, one of his own. How the
murderer had gotten his or her hands on the picture, he only feared the answer.
Pain was in his legs and he felt sick, and took the picture outside, and slowly
walked down the block. On the side of the church was an open courtyard, where
Nick found a heavy bench to lay against. He looked at his ex-wife, and thought
his daughter. 6 years old, and he hadnÕt seen her for three of them. He wasnÕt
sure where he had broken his marriage, what he had done. How he had bored her,
he didnÕt know. He thought he was a good husband. He thought he made his wife
happy. Happiness, weÕre all in it together. No. She didnÕt need him. He was all
but an after thought. Broken, sloping, slouching. Then a man stepped from
behind a parked car, and strode toward Nick. Long strides, significant in every
step.
ÒYou know, IÕve been
watching you Nick.Ó
ÒI recognize you.Ó
ÒI know you miss
her.Ó
ÒItÕs you, you
killed all these people.Ó
ÒYour wife was my
favorite of all. And your daughter, precious.Ó
ÒIÕll fucking murder
you.Ó
ÒNot if you murder
yourself first.Ó
ÒWhat?Ó
ÒI know what you
need Nick.Ó
ÒRaise your fucking
hands.Ó
ÒYes. Come on Nick,
You know what you want now.Ó
ÒNo.Ó
ÒItÕs so simple, you
just take this note, and you put it in your coat pocket, and you die.Ó
ÒI
don't need it.Ó
ÒYou know, you know
youÕre nothing now. Take the note.Ó
ÒI just wanted...Ó
ÒI know what you
wanted, itÕs too late.Ó
Ònine years...Ó
ÒStop. You love how
they spread their wings.Ó
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TheyÕre all broken, these human beings. Crooked eyes looking for the same thing. And the angel, she stands behind me, and she stares, but itÕs soft and brief. And forgive me Father, for I have sinned, and take from me what I hate most, and send me towards salvation from my anguish, for it is the body which lays heavy and my soul that strains upwards as I lose grip on my flesh and I feel the darkness which haunts me at night and I ask forgiveness, for I have sinned, and take from me what I hate most, and I will hear salvation as brass trumpets crying clear in the distance, calling out my steps through the gates of heaven into your sight and wrath. The taste of rust against the tongue, and the teeth itch against the coldness, but itÕs numbing. Warmth sets against the muscles and the eyes slope downward. There is a trickling, a drip, a drop. A smile. The wrong face.